Irish Studies at Regular Schools – Reporting Experiences with the ABEI/Esp Grant for a High School Student

Autores/as

  • Sanio Santos da Silva Sem registro de afiliação
  • Manoel Carlos dos Santos Alves Sem registro de afiliação
  • Maria Clara de Santana Motonio Sem registro de afiliação

DOI:

https://doi.org/10.11606/feefn417

Palabras clave:

Experience report, Irish Cinema, Public Schools

Resumen

This report describes the implementation of a pedagogical activity based on the screening of the film Joyride (2022) in public schools in Salvador, Bahia, in 2024. The main objective was to describe and analyze the implementation of the “ABEI/ESP Scholarship for Scientific Initiation of a Junior Researcher” project in regular schools and identify challenges, adjustments, and impacts on students’ assimilation. The methodology adopted was based on the model by Parisi and Andon (2016), structuring the activities in three phases — pre-viewing (activation of prior knowledge and presentation of context), viewing (screening of short sequences of scenes with guiding questions), and post-viewing (debate and reflection on cultural differences and concepts of family). The results demonstrated high receptiveness on the part of the students, engagement with the content, and development of linguistic and intercultural skills, in addition to showing the effectiveness of the Short-Sequence Approach as a pedagogical practice that offers students the opportunity to have contact with the English language through cinema.

Referencias

Barrett, Ciara. “The Canal (Ivan Kavanagh 2014).” Estudios Irlandeses-Journal of Irish Studies 11 (2016): 282-285, https://www.estudiosirlandeses.org/2016/03/irish-film-and-television-2015/. Accessed in: 8 july 2025.

Fabris, E. H. “Cinema e Educação: um caminho metodológico”. Educação & Realidade, vol. 33, nº 1, maio de 2008, https://seer.ufrgs.br/index.php/educacaoerealidade/article/view/6690. Accessed in: 20 april, 2025.

JOYRIDE 2022, directed by Emer Reynolds, produced by Tristan Orpen Lynch and Aoife O'Sullivan. Irish Film Board, distributed by Vertigo Films, DVD (94 minutes).

Layden, D. “Discovering and uncovering genre in Irish cinema”. Genre and Cinema: Ireland and Transnationalism, edited by Brian Mcilroy. New York: Routledge, 2007, pp. 27-44

Mussi, Ricardo Franklin de Freitas; Flores, Fábio Fernandes; Almeida, Claudio Bispo. “Pressupostos para a elaboração de relato de experiência como conhecimento científico”. Revista Práxis Educacional, vol. 17, n. 48, 2021, p.60-77, DOI https://doi.org/10.22481/praxisedu.v17i48.9010. Accessed in: 20 April, 2025.

Parisi, Leonardo Lucena; Nick Andon. “The Use of Film-Based Material for an Adult English Language Course in Brazil”. Trabalhos Em Linguística Aplicada, vol. 55, nº 1, novembro de 2016, p. 101-28, https://periodicos.sbu.unicamp.br/ojs/index.php/tla/article/view/8647391. Accessed in: 20 April, 2025.

Rodrigues, S. C. F. “A representação da Irishness no cinema nacional irlandês”. 2011. Thesis (Masters) – Programa de Cultura e sociedade na Europa, Universidade de Lisboa, Faculdade de Letras, 2011.

Descargas

Publicado

2025-12-03

Cómo citar

Silva, S. S. da, Alves, M. C. dos S., & Motonio, M. C. de S. (2025). Irish Studies at Regular Schools – Reporting Experiences with the ABEI/Esp Grant for a High School Student. ABEI Journal, 27(1), 85-100. https://doi.org/10.11606/feefn417