Childhoods in Irish Writing

Autor/innen

DOI:

https://doi.org/10.37389/abei.v11i0.3651

Schlagwörter:

Childhood, Irish Writing, Irish writers.

Abstract

Childhood is a crucial stage of Irish life. It is the time in which essentials of Irish experience are nurtured, which will be developed later in a
broader scope. Childhood is depicted as a universally important theme in all Irish writing, regardless of its artistic orientation towards traditional or countertraditional. In traditional writing, childhood is depicted in the interactions between people and society. Protagonists are glimpsed actively living in realistic surroundings, among lively people. On the other hand, in counter-traditional writing, which is an artistically created universe, reality is replaced by fictiveness. Over an author’s body of work there may be fixity and recurrence in protagonists and themes, to elucidate life’s structure in a whole artistic perspective. Regardless
of orientation, Irish writing invariably has influential roots in childhood, because childhood is where Irishness gains its essential foothold. This paper spotlights and elucidates childhood, investigating how it works as an influential element in forming protagonists in linkage with later life.

Autor/innen-Biografie

  • Noriko Ito, Tezukayama University

    ITO, Noriko is staff member at Tezukayama University since 1974 and currently Professor of English in the Faculty of Business Administration. Her field of interest is contemporary Irish writing, especially by Colm Tóibín, John McGahern, Emma Donoghue, Dermot Bolger, Deirdre Madden, Roddy Doyle and Colum McCann. She translated Colm Tóibín’s The Heather Blazing and Brian Moore’s The Doctor’s Wife into Japanese, and contributed to several Japanese books and magazines on Irish literary topics.

Literaturhinweise

Éilís Ní Dhuibhne, The Bray House. Dublin: Attic Press, 1990.

Colm Tóibín, The Heather Blazing. London: Picador, 1992.

____. The Blackwater Lightship. London: Picador, 1999.

Brian Moore, An Answer from Limbo. London: Picador, 1962.

____. The Doctor’s Wife. Fort Landerlae: Flamingo, 1976.

Dermot Bolger, A Second Life. New York: Viking, 1994.

Colum McCann, Songdogs. London: Picador, 1996.

____. Fishing the Sloe-Black River. London: Phoenix, 1995.

Iris Murdoch, The Sea, The Sea. London: Vintage Classics, 1999.

Colm Tóibín, The South. London: Serpent’s Tail, 1990.

Homi Bhabha, The Location of Culture, 1994. Available at http://prelectur.stanford.edu/lecturers/

bhabha/location1.html.

John Banville, Kepler. London: Minerva, 1991.

____. The Untouchable. London: Picador, 1997.

____. Eclipse, Picador, 2000.

____. Birchwood, Picador, 1998. 34.

John McGahern, The Dark, Faber and Faber, 1965.

____. That They May Face the Rising Sun. London: Faber and Faber, 2001.

C. S. Lewis, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe. London: Geoffrey Bles, 1950.

Denis Sampson, Brian Moore : the Chameleon Novelist. London: Doubleday, 1999.

Veröffentlicht

2009-06-17

Ausgabe

Rubrik

Fiction

Zitationsvorschlag

Ito, N. (2009). Childhoods in Irish Writing. ABEI Journal, 11, 89-95. https://doi.org/10.37389/abei.v11i0.3651