A “stage matrimony” with a Happy Ending: My Work as a Producer with the “Círculo de Atores”

Autor/innen

  • Rosalie R. Haddad Universidade Estadual Paulista

DOI:

https://doi.org/10.11606/59gkyv29

Schlagwörter:

Bernard Shaw, Theater Production, Círculo de Atores

Abstract

This article aims to share my experience with the theatre company “Círculo de Atores” and the four plays in which we worked together, namely Mrs. Warren’s Profession (2018), The Doctor’s Dilemma (2023), Hedda Gabler (2024), and The Doctor (2025). While all of them were well received by the audience and the critics, it is not my intention to further elaborate on the marketing of those plays, but to portray my experience as a theatre producer.

Autor/innen-Biografie

  • Rosalie R. Haddad, Universidade Estadual Paulista

    Holds a PhD from the University of São Paulo and a post-doctoral from the State University of São Paulo (UNESP). She has dedicated much of her academic life to the study of Bernard Shaw’s work. She is a researcher at the W. B. Yeats Chair of Irish Studies and a board member of the Centre for Literary and Cultural Translation at Trinity College Dublin.

Literaturhinweise

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Veröffentlicht

2025-12-03

Ausgabe

Bd. 27 Nr. 1 (2025): ABEI Journal 27.1 – Special Issue 50 Years of Diplomatic Relations Between Brazil and Ireland

Rubrik

Articles

Lizenz

Copyright (c) 2025 Rosalie R. Haddad

Creative Commons License

Dieses Werk steht unter der Lizenz Creative Commons Namensnennung - Nicht-kommerziell 4.0 International.

Zitationsvorschlag

Haddad, R. R. (2025). A “stage matrimony” with a Happy Ending: My Work as a Producer with the “Círculo de Atores”. ABEI Journal, 27(1), 163-167. https://doi.org/10.11606/59gkyv29