Archetypal, Identical, Similar? Seamus Heaney’s “Punishment” Revisited

Autores/as

DOI:

https://doi.org/10.37389/abei.v10i0.3672

Palabras clave:

Seamus Heaney, archetype, repetition, rite

Resumen

“Punishment” by Seamus Heaney reflects upon the relationship between a prehistoric girl killed in a ritual and two modern Irish girls punished as a consequence of political strife. My point is that Heaney’s poem cannot be
taken as a one-sided approach to identity, to stereotypes or archetypes. The
introduction of a Christian hypotext works in such a way that no element in any of the sequences can be taken as a univocal “archetype” of the other two. Notions such as “archetype”, “repetition” and “rite” are critically discussed. The poet interrogates the painful reality of Irish contemporary events and his own reactions, rather than acquiescing to a conclusive pattern of revenge.

Biografía del autor/a

  • Miguel Montezanti, Universidad Nacional de La Plata

    MONTEZANTI, MIGUEL ANGEL is Professor at the Universidad Nacional de La Plata, where he teaches English Literature and Literary Translation. He is also Vicedirector
    of the Centro de Literaturas y Literaturas Comparadas. Some of his publications are El nudo Coronado. Estudio de Cuatro Cuartetos, a research and translation of T.S.
    Eliot’s Four Quartets; Extraño encuentro: la poesía de Wilfred Owen and Visitas hospitalarias. La poesía de Philip Larkin, the last two as collaborative works. His translation of Shakespeare’s Sonnets has got an award from the Fondo Nacional de las Artes. He has also published Baladas inglesas y escocesas, and Shakespeare’s The Phoenix and the Turtle, both translations accompanied by preliminary studies.

Referencias

Agustín. Tratados sobre el Evangelio de San Juan. Madrid: Biblioteca de Autores Cristianos, 1965.

Anderson, Benedict. Comunidades imaginadas. Reflexiones sobre el origen y la difusión del nacionalismo. Trad. Eduardo L. Suárez. Buenos Aires: FCE, 1991.

Andrews, Elmer, ed. The Poetry of Seamus Heaney. Cambridge: Icon Books, 1998.

Corcoran, Neil. The Poetry of Seamus Heaney. A Critical Study. London: faber and faber, 1998.

Curtis, Tony, “A More Social Voice: Field Work”. The Art of Seamus Heaney. Ed. Tony Curtis. Wales: seren, 2001. 97-128.

Derrida, Jacques. Positions. Paris: Minuit, 1972.

Eliade, Mircea. El mito del eterno retorno. Trad. Ricardo Anaya. Barcelona: Altaya, 1997.

Ernout.A., A. Meillet. Dictionnaire Etymologique de la Langue Latine. Histoire des mots, Paris, Klincksieck, 1979.

Froncek, Thomas. Los hombres nórdicos. Barcelona: Publicaciones Ediciones Folio, 1994.

Hart, Henry. Seamus Heaney. Poet of Contrary Progressions. New York: Syracuse University Press, 1993.

Heaney, Seamus. North. London-Boston: faber and faber, 1975.

—. Preoccupations. New York: The Noonday Press, 1980.

Lange, Karen E. “Testimonios del pantano”. National Geographic en español. Septiembre 2007. vol. 21, Núm. 3. 6-15.

Lázaro Carreter, Fernando. De poética y poéticas. Madrid: Cátedra, 1990.

Lloyd, David “‘Pap for the Dispossess’d’: Seamus Heaney and the Poetics of Identity”. Seamus Heaney. Contemporary Critical Essays. Ed. Michael Allen. New York: St. Martin’s Press, 1997. 155-184.

McGuinness, Arthur. Seamus Heaney. Poet and Critic. New York: Peter Lang, 1994.

Morrison, Blake. Seamus Heaney. London and New York: Methuen, 1982.

O’Brien, Eugene. Seamus Heaney and the Place of Writing. Gainesville: University Press of Florida, 2002.

O’Donoghue, Bernard. Seamus Heaney and the Language of Poetry. New York: Harvester Wheatsheaf, 1994.

Pym, Anthony. “Philosophy and Translation”. A Companion to Translation Studies. Eds. Piotr Kuhiwczak and Karin Littau. Clevedon, Buffalo, Toronto: Multilingual Matters, 2007. 24-44.

Rimmon-Kenan, Shlomith. “The Paradoxical Status of Repetition”. Poetics Today, Vol. 1:4 (1980), 151-159.

Tobin, Daniel. Passage to the Center. Imagination and the Sacred in the Poetry of Seamus Heaney. Lexington: The University Press of Kentucky, 1999.

Descargas

Publicado

2008-06-17

Número

Sección

Comparative Studies

Cómo citar

Montezanti, M. (2008). Archetypal, Identical, Similar? Seamus Heaney’s “Punishment” Revisited. ABEI Journal, 10, 55-66. https://doi.org/10.37389/abei.v10i0.3672