“The Talk Became Theatrical”: Dubliners on Tour in Portugal

Autores/as

  • Mick Greer Faculty of Letters of Lisbon University (FLUL)

DOI:

https://doi.org/10.37389/abei.v16i0.3554

Resumen

Balloonatics Theatre Company, celebrating their 30th anniversary in
2014, have specialised in adaptations of literary texts, especially those by Joyce, for the theatre since 1984. In the summer of 2014, Culture Ireland offered them the opportunity of performing two stories from Dubliners to help commemorate the 100th anniversary of the publication of Joyce’s work. Balloonatics, took “The Boarding House” and “Counterparts”, written in Trieste during the “torrid” summer in 1905, to three university cities in Portugal: Lisbon, Oporto and Braga. It seemed appropriate to stage these stories in Portugal, with the approaching summer heat at the end of June possibly reflecting something of the atmosphere in which they were first conceived. This article frames the
process of Balloonatics’ approach to and dramatisation of the texts within a discussion of the theatrical line in Joyce’s life and career, locating the roots of Dubliners’ use of the theatrical in Joyce’s earlier writings.

Biografía del autor/a

  • Mick Greer, Faculty of Letters of Lisbon University (FLUL)

    Mick Greer graduated in English Literature from Cambridge University in 1983. He moved to Portugal and has been teaching at the Faculty of Letters of Lisbon University
    (FLUL) since 1992, where he has also done his PhD on James Joyce and theatre. A founder member of the Dublin-based Balloonatics Theatre Company, Mick performs regularly in the theatre and is a researcher at FLUL’s Centre for Theatre studies. He has presented and published various papers on Joyce and other Irish authors and themes.

Referencias

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Joyce, James. Dubliners, London: Panther Granada, 1977.

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______. Finnegans Wake, Intr. Seamus Deane. London: Penguin, 1992.

______. Occasional, Critical, and Political Writing, Ed., intr. and notes by Kevin Barry. Trans. by Conor Deane. Oxford: Oxford University Press, 2000.

______. Poems and Shorter Writings, Ed., intr. and notes Richard Ellmann, A. Walton Litz and John Whittier-Ferguson. London: Faber and Faber, 1991.

______. Ulysses, Intr. Declan Kiberd. London: Penguin, 1992.

______. Stephen Hero, Ed. and intr. Theodore Spencer. London: Panther Granada, 1977.

______. Selected Letters of James, Ed. Richard Ellmann. London: Faber and Faber,1975.

Joyce, Stanislaus, The Dublin Diary of Stanislaus Joyce, Ed. George H. Healey. London: Faber and Faber, 1962.

______. My Brother’s Keeper, Ed. and intr. Richard Ellmann. Pref. T. S. Eliot. London: Faber and Faber, 1982.

Potts, Willard, (ed.), Portraits of the Artist in Exile: Recollections of James Joyce by Europeans. Seattle: University of Washington Press, 1979.

Descargas

Publicado

2014-11-17

Número

Sección

100 Years of Dubliners

Cómo citar

Greer, M. (2014). “The Talk Became Theatrical”: Dubliners on Tour in Portugal. ABEI Journal, 16, 31-41. https://doi.org/10.37389/abei.v16i0.3554