A Centenary Portrait

Auteurs

  • Dirce Waltrick do Amarante Federal University of Santa Catarina

DOI :

https://doi.org/10.37389/abei.v18i0.3526

Résumé

This article is about the quite turbulent editing history of A Portrait of the Artist as a Young Man and the importance of Harriet Weaver as Joyce’s
editor. It also points out some characteristics of this novel, such as the presence of epiphanies.


Keywords: Harriet Weaver, epiphanies, English language, Catholic church.

Biographie de l'auteur

  • Dirce Waltrick do Amarante, Federal University of Santa Catarina

    Dirce Waltrick do Amarante is a professor at the Federal University of Santa Catarina (Brasil), a scholar and a translator of the works of James Joyce. She is the author of
    Para ler ‘Finnegans Wake’ de James Joyce (Iluminuras, 2009) and James Joyce e seus tradutores (Iluminuras, 2015), among other books. At the moment, she is dedicating herself to translating one narrative thread from Finnegans Wake.

Références

Eco, Umberto. A Definição da Arte. Trans. Eliana Aguiar. Rio de Janeiro: Record, 2016.

Ellmann, Richard. James Joyce. 2nd ed. London: Oxford University Press, 1983.

Joyce, James. Letters of James Joyce. Volume II. Edited by Richard Ellmann. New York: The Viking Press, 1966.

______. A Portrait of the Artist as a Young Man. New York: The Viking Press, 1974.

______. Stephen Hero. Ed. John J. Slocum and Herbert Cahoon. New York: New Directions, 1963.

______. Poems and Shorter Writings. Ed. Richard Ellmann. London: Faber and Faber, 1991.

Téléchargements

Publiée

2016-11-17

Numéro

Vol. 18 (2016): ABEI Journal 18

Rubrique

Centenary of A Portrait of the Artist as a Young Man

Comment citer

Amarante, D. W. do. (2016). A Centenary Portrait. ABEI Journal, 18, 139-143. https://doi.org/10.37389/abei.v18i0.3526