A “stage matrimony” with a Happy Ending: My Work as a Producer with the “Círculo de Atores”

Auteurs

  • Rosalie R. Haddad Universidade Estadual Paulista

DOI :

https://doi.org/10.11606/59gkyv29

Mots-clés :

Bernard Shaw, Theater Production, Círculo de Atores

Résumé

This article aims to share my experience with the theatre company “Círculo de Atores” and the four plays in which we worked together, namely Mrs. Warren’s Profession (2018), The Doctor’s Dilemma (2023), Hedda Gabler (2024), and The Doctor (2025). While all of them were well received by the audience and the critics, it is not my intention to further elaborate on the marketing of those plays, but to portray my experience as a theatre producer.

Biographie de l'auteur

  • Rosalie R. Haddad, Universidade Estadual Paulista

    Holds a PhD from the University of São Paulo and a post-doctoral from the State University of São Paulo (UNESP). She has dedicated much of her academic life to the study of Bernard Shaw’s work. She is a researcher at the W. B. Yeats Chair of Irish Studies and a board member of the Centre for Literary and Cultural Translation at Trinity College Dublin.

Références

Téléchargements

Publiée

2025-12-03

Numéro

Vol. 27 No 1 (2025): ABEI Journal 27.1 – Special Issue 50 Years of Diplomatic Relations Between Brazil and Ireland

Rubrique

Articles

Licence

(c) Copyright Rosalie R. Haddad 2025

Creative Commons License

Ce travail est disponible sous licence Creative Commons Attribution - Pas d’Utilisation Commerciale 4.0 International.

Comment citer

Haddad, R. R. (2025). A “stage matrimony” with a Happy Ending: My Work as a Producer with the “Círculo de Atores”. ABEI Journal, 27(1), 163-167. https://doi.org/10.11606/59gkyv29