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Vol. 26 No. 1 (2024): ABEI Journal 26.1

View Vol. 26 No. 1 (2024): ABEI Journal 26.1

ABEI Journal 26.1
General Issue
Editors: Mariana Bolfarine e Laura P.Z. Izarra

Cover: “Shades of Evening (1904), by Mildred Anne Butler.

Published: 2024-08-05

Full Issue

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Introduction

Introduction

Mariana Bolfarine, Laura P. Z. Izarra

11-12
- PDF

Articles

Traces of Hunger in Colum McCann's Dancer

Alvany Guanaes

15-24
- PDF
“My dear Stevie, from Nonno”: translations and illustrations of a Joycean verbal text for young readers

Ana Carolina Carvalho Monaco da Silva

25-34
- PDF
(Im)possible Facilitating Environments: the Spaces of Family in Sally Rooney’s Normal People

Bárbara Moreira Bom Angelo

35-45
- PDF
A Revisionist Reading of the American West in Days Without End by Sebastian Barry

Elisa Abrantes

47-59
- PDF
"For the Blood is the Life": vampirism and Alterity in Le Fanu's Carmilla

Filipe Chernicharo Trindade

61-79
- PDF
In-Between Traditions: the Poetry of Adília Lopes and Rita Ann Higgins

Gisele Wolkoff

81-91
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Séan O’Casey: A Minor Literature? Plough and the Stars’ Pub Scene through Deleuze and Guattari's Perspective

Marina Naves S. M. Queiroz

93-103
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The Rise of the Novel in the Celtic Periphery: a Study on the Political, Pedagogical and Antinovelistic Composition of Castle Rackrent

Michelle Alvarenga

105-119
- PDF (Portuguese)

Cinema

Intertextualities between Frank Berry’s films, I Used to Live Here (2014) and Michael Inside (2017)

Cecília Adolpho Martins

123-134
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Voices from Latin America

“There was no God for her or the other poor people”: hunger in Liam O’Flaherty and Graciliano Ramos

Camila Franco Batista

137-151
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The Harp and the Eagle: teaching Irish Poetry in Mexico

Mario Murgia

153-163
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The Independence of Ireland in the Provincial Press: Laurence Ginnell and the Irish Diplomatic Mission in Argentina (1921)

Jeremías Daniel Rodríguez

165-179
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Book Reviews

A Review of Narratives of the Unspoken in Contemporary Irish Fiction: Silences that Speak

Esther Borges

183-186
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Lance Pettitt’s The Last Bohemian: a snapshot of Hurst’s status as a filmmaker

Noélia Borges de Araújo

187-200
- PDF