OTOCH, Janaína Nagata. Picasso’s Les Demoiselles d’Avignon between Consecration and Contestation: Notes on Modernist Criticism and the Contributions of Feminism and Post- Colonialism to Interpretations of the Painting. ARS, [S. l.], v. 18, n. 39, p. 25–73, 2020. DOI: 10.11606/issn.2178-0447.ars.2020.166696. Disponível em: https://revistas.usp.br/ars/article/view/166696. Acesso em: 7 mar. 2026.