Vol. 15 No. 30 (2017)

“Tudo o que fiz antes, considero um prólogo”

• PDF (Portuguese)

Ensaio Visual

• PDF (Portuguese)

The great world of invention

• PDF (Portuguese)

The color of MUSIC: there is a metaphysics in Hélio Oiticica

• PDF (Portuguese)

Metaesquema, metaform, metawork

• PDF (Portuguese)

Anonymous subjectivity and open culture in Hélio Oiticica’s thinking

• PDF (Portuguese)

Dirty Copy!

• PDF (Spanish)

Inside the labyrinth: Hélio Oiticica and the challenge of the "public" in Brazil

• PDF (Portuguese)

“The Whitechapel experiment”, the Éden project and the search for a total affective experience

• PDF (Portuguese)

1970: pause / play

• PDF (Portuguese)

Legal within ilegal: the Cosmococas, the Subterrânia and the Museum’s gardens

Agripina é Roma-Manhattan, beautiful quasi-movie of HO

• PDF (Portuguese)

Lágrima-Pantera, a míssil: cinema Subterrânia

• PDF (Portuguese)

Parangolé-Botticelli: installation thinking and practical reason of the art history. Transitional form and carnival geometry

• PDF (Portuguese)

Pigment pur and the Corpo da côr: post-painterly practice and transmodernity

• PDF (Portuguese)

Hélio Oiticica in Manhattan

• PDF (Portuguese)

Doing art and cinema (or “quasi-cinema”) with Hélio Oiticica

• PDF (Portuguese)

Interview with Lynn Zelevansky

• PDF (Portuguese)

Hélio Oiticica: folding the frame, of Irene V. Small

• PDF