A trilha sonora do Cinema: proposta para um “ouvir” analítico

Abstract

This article aims to show some reflection about the sound in the cinema using the tree categories of Charles Sanders Peirce. It is proposed an analyze of the music, sound effect and voice correspondent of the classification of the sound in tree categories: non-representative, figurative and representative. In this manner, I intend to project the importance of one debate about different perspectives of thinking the sound for cinema, and the necessity of open ours ears for listen and product this sounds.