Direct cinema and event-word: Brazilian documentary and social research in the 1960s.

Authors

  • Rosana Elisa Catelli State University of Campinas (UNICAMP) image/svg+xml

DOI:

https://doi.org/10.11606/issn.2595-2536.v22i2p75-94

Keywords:

Documentary, Direct cinema, Sociological analysis, Audiovisual, Interview

Abstract

This article discusses the direct cinema in the 1960s. Since thedevelopment of equipment that allowed synchronous recording of image andsound taken outdoors. It establishes relations between Brazilian films in theperiod and social research undertaken in São Paulo. It analyzes the importanceof registration of the word in Brazilian documentary and in social sciences anddescribes an experiment that unified research and audiovisual, in a projectdeveloped in Santa Brigida, Bahia, by researchers from the University of SãoPaulo.

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Author Biography

  • Rosana Elisa Catelli, State University of Campinas (UNICAMP)
    Pós-doutoranda no Instituto de Artes da Universidade Estadual de Campinas, UNICAMP e doutora em Multimeios pela UNICAMP. Esse texto éresultado da pesquisa “A UNESCO e o cinema documentário no Brasil (1945-1975)”, que está sendo realizadacom bolsa de pós-doutorado FAPESP.

References

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Published

2011-12-17

Issue

Vol. 22 No. 2 (2011)

Section

Dossiê Amazônia

License

Copyright (c) 2011 Rosana Elisa Catelli

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

How to Cite

Catelli, R. E. (2011). Direct cinema and event-word: Brazilian documentary and social research in the 1960s. Cadernos CERU, 22(2), 75-94. https://doi.org/10.11606/issn.2595-2536.v22i2p75-94