Dissonances, convergences
Vivian Maier and Ana Cristina Cesar
DOI:
https://doi.org/10.11606/issn.1984-1124.v1i25p133-147Abstract
This paper aims to analyse one 1971 self-portrait by Vivian Maier and a poem by Ana Cristina Cesar, from the book Luvas de Pelica (1980), seeking to map the coincidences, convergences and divergences between formal procedures, thematic elements and mechanisms of composition that can be seen building the poetic and photographic images. Paying careful attention to the specific use of the self-representation genres (correspondence, diary and self-portrait) and the centrality of the operation of the ellipse, overlap and collage as principles of image construction, this study has as a line of force the question about the possible structural approximations and differentiations between Poetry and Photography.
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