“Is it possible to speak that beautifully?”: Ana Cristina Cesar, struggles and figurations of the body in the writing
DOI:
https://doi.org/10.11606/issn.1984-1124.i28p289-306Keywords:
Ana Cristina Cesar, body, provocation, political-literary project, feminine writingAbstract
This article aims to investigate the uses of the body in the work of Ana Cristina Cesar through the analysis of three poems present in the collection of Pasta Rosa (2008): "25 de maio de 1976"; "era noite e uma luva de angústia..." and "idispiando". For this, we use both texts that situate us in the discussions launched by the poems themselves, as well as those that touch the period of their production. We seek to follow a certain path of insertion of the body in the Brazilian artistic manifestations with the support of the work Corpos Pagãos (2015) by Mário Cámara, as well as the literary context in which the production of Ana C. is inserted, based on texts by Heloisa Buarque de Hollanda, Glauco Mattoso and Viviana Bosi. In conclusion, we understand that these poems left "in the shade" can illuminate the reading of those published in life by the author, in a complementary and enlightening relationship for those who venture among the ellipses of Ana C.
Keywords: Ana Cristina Cesar; body; provocation; political-literary project; feminine writing
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