Aesthetics of reception, Jauss, implied reader and actual reader.

Authors

  • Jefferson Cleiton de Souza Federal University of Pernambuco image/svg+xml

DOI:

https://doi.org/10.11606/issn.1984-1124.v5i9p52-60

Keywords:

Aesthetics of reception, the reader in the economy of literary history and work

Abstract

The aim of this paper is to discuss how Hans Robert Jauss, the creator of the aesthetics of reception, has introduced the category of the reader into the literary studies especially when it comes to the importance of the reader to the understanding of the text, and to the history of a society and its literary system or, in other words to the way the formal elements of a literary work are organized and how they are related to aesthetic, ethic and moral evaluations. To do so, it is necessary to analyze how the conceptions of implied and actual reader, as well as of aesthetic experience, relate to questions of history, artistic communication and reception.     

Downloads

Download data is not yet available.

Author Biography

  • Jefferson Cleiton de Souza, Federal University of Pernambuco
    Mestre em Teoria da Literatura - Universidade Federal de Pernambuco  (Recife)

References

Downloads

Published

2012-11-15

Issue

No. 9 (2012)

Section

Articles

License

Authors who publish with this journal agree to the following terms:

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
  2. Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).

How to Cite

Souza, J. C. de. (2012). Aesthetics of reception, Jauss, implied reader and actual reader. Revista Criação & Crítica, 9, 52-60. https://doi.org/10.11606/issn.1984-1124.v5i9p52-60