The flesh of thought
variations on painting and language in Jasper Johns, Robert Barry and Valère Novarina
DOI:
https://doi.org/10.11606/issn.1984-1124.v1i25p18-35Keywords:
Jasper Johns, Robert Barry, Valère Novarina, Literature and Painting, VoiceAbstract
This paper begins with a commentary on one among other works by the painter Jasper Johns which explore the theme of voice, Voice (1964-1967). This commentary fosters a crossed reading of works by Johns, Robert Barry and Valère Novarina, which, from a threshold in the realm of painting, bring to the fore this artistic realm as a space of continuous production of thresholds and intertwinings between language, body, space and thinking.
Downloads
Download data is not yet available.
References
Downloads
Published
2020-01-07
Issue
Section
Articles
License
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
How to Cite
Goldfeder, A. (2020). The flesh of thought: variations on painting and language in Jasper Johns, Robert Barry and Valère Novarina. Revista Criação & Crítica, 1(25), 18-35. https://doi.org/10.11606/issn.1984-1124.v1i25p18-35