Revisiting the Geometric Order in Spinoza’s Ethics
DOI:
https://doi.org/10.11606/issn.2447-9012.espinosa.2025.231714Palabras clave:
Geometric order, Spinoza, Ethics, Affect, GeometryResumen
In Spinoza’s Ethics, the geometric order functions as a comprehensive methodological framework intended to lead individuals towards a state of freedom and beatitude. Traditionally perceived as a pedagogical tool, Spinoza’s geometric exposition exemplifies a systematic and rigorous approach to presenting the logical ratiocination and argumentation underlying his philosophical thought. By investigating the variegated interplay between geometry and philosophical intent in the Ethics, we examine how Spinoza’s geometric reasoning enables individuals to achieve blessedness and liberation from the passions, independently of revelation and the institutional control of organised religion.The geometrical order that spans the five parts of the Ethics offers a hierarchical sequence of development that reconciles a posteriori and a priori modes of geometric thought and allows the progressive adequation of thought from the empirical to the mental, and also serves as the foundational background for a democratising approach to spiritual self-liberation. We examine the ordine geometrico in the Ethics as expressive of “a demonstrative technique”; how the more geometrico, the geometric method, can articulate “geometry as ontology”; and delve into how his one-substance metaphysics becomes “geometry is ontology”. We move beyond the assertion that Spinoza’s geometrical order is purely Euclidean, and posit polemically that an imagistic intuition for his monadic substance metaphysics can be found in Kepler’s application of perspectival projective geometry to the study of the conics.
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