Revista Extraprensa
type: channel
description: Extraprensa is a journal written for publishing scientific essays about the Culture and Communication around Brazil and Latin America by compiling themes like cultural diversity, citizenship issues and other popular cultures expressions, including art, alternative media and scientific methods used at these researches. Papers' Profile used by Extraprensa Journal: articles, research reviews, scientific reports and experts' chronicles.
publisher: Universidade de São Paulo | Escola de Comunicações e Artes
language: en
publication name: Revista Extraprensa
issn: 1519-6895
copyright: Ao submeter qualquer material científico para Extraprensa, o autor, doravante criador, aceita licenciar seu trabalho dentro das atribuições do Creative Commons, na qual seu trabalho pode ser acessado e citado por outro autor em um eventual trabalho, porém obriga a manutenção de todos os autores que compõem a obra integral, inclusive aqueles que serviram de base para o primeiro. Toda obra aqui publicada encontra-se titulada sob as seguintes categorias da Licença Creative Commons (by/nc/nd): Atribuição (de todos os autores que compõem a obra); Uso não comercial em quaisquer hipóteses; Proibição de obras derivadas (o trabalho não poderá ser reescrito por terceiros. Apenas textos originais são considerados); Distribuição, exibição e cópia ilimitada por qualquer meio, desde que nenhum custo financeiro seja repassado. Em nenhuma ocasião a licença de Extraprensa poderá ser revertida para outro padrão, exceto uma nova atualização do sistema Creative Commons (a partir da versão 3.0). Em caso de não concordar com esta política de Direito Autoral, o autor não poderá publicar neste espaço o seu trabalho, sob pena de o mesmo ser removido do conteúdo de Extraprensa.
items: Discursive modulations of the MST: an analysis of the movement's homepage, from 2002 to 2018
items: "Despite the metaphors...": incidences in the poetry of Patativa do Assaré and Antônio Francisco Teixeira de Melo
items: Shamanic ontological territory in the pedagogical dimension of Black cinema
items: Documentary as a device: mediatization and memory regimes of the military dictatorship

Discursive modulations of the MST: an analysis of the movement's homepage, from 2002 to 2018
type: item
description: This study aims to analyze the discursive modulations of the Landless Rural Workers’ Movement (MST) from 2002 to 2018, using Brazil’s election years as reference points, in order to understand the characteristics and transformations of the MST’s discourse during critical moments in the political landscape. Using the Wayback Machine tool, we analyzed the main articles from the homepage of the MST’s website during presidential election years: 2002, 2006, 2010, 2014, and 2018. The data were interpreted through Discourse Analysis, based on the works of Orlandi (2015) and Fernandes & Sá (2021). The results indicate that there is no intrinsic relationship between the MST’s discourse, the historical context, and the ideological dynamics of each period. However, the discursive strategies are polysemic, reaffirm the collective identity of the movement, and are modulated in an attempt to approach civil society.
subject: Articles
  topic: section
subject: Landless Rural Workers’ Movement
  topic: keywords
subject: Discourse analysis
  topic: keywords
subject: Collective identity
  topic: keywords
subject: Elections
  topic: keywords
subject: Popular agrarian reform
  topic: keywords
creator: Ana Elizabeth Lima Vasconcelos
creator: Luiz Alberto de Farias
rights: Copyright (c) 2026 Ana Elizabeth Lima Vasconcelos, Luiz Alberto de Farias https://creativecommons.org/licenses/by-nc-nd/4.0
date: 2026-05-12
publication date: 2026-05-12
starting page: e026001
ending page: e026001
doi: 10.11606/extraprensa2026.237541

"Despite the metaphors...": incidences in the poetry of Patativa do Assaré and Antônio Francisco Teixeira de Melo
type: item
description: This article examines how the poets Patativa do Assaré and Antônio Francisco Teixeira de Melo address hunger, social injustice, and cultural resistance, contributing to an understanding of the conditions of existence in Brazil’s Northeast across different historical periods. The objective is to compare Patativa’s poetics, representative of the early twentieth century, with that of Antônio Francisco, a contemporary poet, highlighting continuities and re-significations within the cordel tradition. The study is situated within the field of comparative literature and prioritizes the analysis of images and metaphors in the works Ispinho e fulô (2012), by Patativa, and Dez cordéis num cordel só (2012), by Antônio Francisco, in light of the notion of everyday metaphors (Lakoff; Johnson, 2002). The results point to a critical and humanizing poetic discourse in which orality and popular language function as forms of resistance and identity affirmation.
subject: Articles
  topic: section
subject: Metaphor
  topic: keywords
subject: Patativa do Assaré
  topic: keywords
subject: Antônio Francisco Teixeira de Melo
  topic: keywords
creator: Paulo Henrique Flauzino
creator: Francisco Cláudio Alves Marques
rights: Copyright (c) 2026 Paulo Henrique Flauzino, Francisco Cláudio Alves Marques https://creativecommons.org/licenses/by-nc-nd/4.0
date: 2026-05-12
publication date: 2026-05-12
starting page: e026002
ending page: e026002
doi: 10.11606/extraprensa2026.244911

Shamanic ontological territory in the pedagogical dimension of Black cinema
type: item
description: The cinema in question is brought to the screen through the ontological protagonism perceived in Black cinema, in the demands of Indigenous filmography. However, we perceive a Merleau-Pontyan dialogical relationship with the dynamics of Amazonian shamanism, when navigating the dimensions of the visible and the invisible—a method proposed in this work for understanding Yanomami cinema. Both the shaman filmmaker and the shaman character, creators of the short film Mãri-hi – the tree of dreams, allow the viewer to immerse themselves in the telluric nature of the oneiric pedagogical imaginary, in which dreams are indicative of decisions within the dynamics of sociability.
subject: Articles
  topic: section
subject: Black cinema
  topic: keywords
subject: Ontology
  topic: keywords
subject: Yanomami
  topic: keywords
subject: Shamanism
  topic: keywords
creator: Éder Rodrigues dos Santos
creator: Celso Luiz Prudente
rights: Copyright (c) 2026 Éder Rodrigues dos Santos, Celso Luiz Prudente https://creativecommons.org/licenses/by-nc-nd/4.0
date: 2026-05-12
publication date: 2026-05-12
starting page: e026003
ending page: e026003
doi: 10.11606/extraprensa2026.246590

Documentary as a device: mediatization and memory regimes of the military dictatorship
type: item
description: This article offers an introductory and panoramic discussion of how contemporary documentary cinema operates in the mediatization of the Brazilian military dictatorship (1964–1985). The analysis is grounded in the notion of the media dispositif and in documentary studies, articulating them with the problematics of social memory. It is based on the premise that documentary film does not merely represent the past, but actively participates in its social production as public memory, acting as a media dispositif that reorganizes experiences, produces sensibilities, and intervenes in political disputes. Drawing on case studies of contemporary films, the article argues that documentaries about the dictatorship constitute genuine mediatized lieux de mémoire, in which audiovisual communication is configured as a social, narrative, and political practice.
subject: Articles
  topic: section
subject: Documentary
  topic: keywords
subject: Military dictatorship
  topic: keywords
subject: Mediatization
  topic: keywords
subject: Memory
  topic: keywords
creator: Jean Carllo de Souza Silva
rights: Copyright (c) 2026 Jean Carllo de Souza Silva https://creativecommons.org/licenses/by-nc-nd/4.0
date: 2026-08-03
publication date: 2026-08-03
starting page: e026004
ending page: e026004
doi: 10.11606/extraprensa2026.244758