Modern cinema on Pasolini´s view

Abstract

The article comments on Pier Paolo Pasolini´s film theory, focusing on his conception of Modern Cinema as developed in his tests written in the sixties, specially "The Sequence-Shot" and "Cinema of Poetry". Here on finds a discussion of specific notions like "cinema of poetry" and "free indirect subjective", as well as a discussion about Pasolini´s idea of Editing as Death in its oppositions to Life embodied in the Sequence-Shot.