L´autobiografia e il desiderio: sulla trilogia di Walter Siti

Abstract

This paper looks into the entire production of writer and critic Walter  Siti. The analysis follows two fundamental tracks: on the one hand, the relationship with the autobiographical format that here becomes openly "fake" and challenges the relationship betwwen fiction/non-fiction; on the other hand, the relationship with literary tradition, particularly with the Dantesque model, decisive for the "allegoric" interpretation of the various tales.