Uma estética, uma ética

Abstract

We shall work in the interface of the linguistic-literary know ledge and , with in the linguistic field, the theoretical and methodological fundament shall come from the greimasian basis, respecting the contemporary development brought up by a tensive point of view. Thus, from an analysis which reconstructs the meaning in the level of the content of texts and observes the relations with the level of expression, a poem and a baroque painting will be compared, so as to identify the inferable subject of a discursive totality. It shall be confirmed that the style is the m an, being this m an seen as effect of meaning, body, voice, character, éthos, at last