Manuscrítica: Revista de Crítica Genética
type: channel
description: Manuscrítica - Revista de Crítica Genética (ISSN 2596-2477) is a publication of the Association of Researchers in Genetic Criticism (APCG) and the Graduate Program in Foreign Languages and Translation (PPG LETRA, in the Brazilian acronym) at the University of São Paulo (USP). The journal is certified by the Digital Library and Collections Agency (ABCD-USP). Since 1990, it has been publishing texts that dialogue with genetic criticism, a discipline that studies the processes of creation in various areas, such as literature, the visual arts, theater and cinema, among others.
publisher: Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas
language: en
publication name: Manuscrítica: Revista de Crítica Genética
issn: 1415-4498
items: Homenagem a Louis Hay
items: Visualidades: Arquivo Expandido – conexões e processos de criação
items: Arquivo Expandido – conexões e processos de criação
items: Photogrammetry as an artistic medium: recording movement in image capture failures
items: Memory and projection in the extensions of making: the Maria Ivone dos Santos Archive
items: Faminta de sua essencialidade: o processo de construção das personagens hilstianas
items: https://revistas.usp.br/manuscritica/en/article/view/237434
items: Concept Art in the creative process of Fernand Léger's animation Ballet Mécanique (1924).
items: Modesto Carone (Di)Ante (d)a lei: a possible poetics of translation recorded in the translator's archives
items: Em busca da abstração: Clarice Lispector no arquivo de Leyla Perrone-Moisés
items: A. D. Tavares Bastos, corresponsal de Murilo Miranda
items: Decifra-me, disse eu à esfinge. E esta ficou muda: Pose e artifício na correspondência de Clarice Lispector
items: Note-making as match-striking
items: Network dance: creative procedure as a complex system of language and(in) education
items: Palimpsesto montelliano: da concepção à preparação ficcional nos Diários de Josué Montello
items: “What a sacred monster you are”: Murilo Mendes writes to Jorge de Sena (1961-1974)
items: Using XML/TEI in the Study of Correspondence: Genetic Criticism, Computing, and the Letters of Marcel Proust
items: Nos traços críticos de Leyla Perrone-Moisés
items: No Limiar Do Livro: Os Paratextos de Misterios Del Plata, de Juana Manso, Nas Versões Autógrafas
items: Sketchbooks as an artistic work: a reflection on archives in contemporary art
items: O memorial poético como extensão dos processos criativos em artes
items: Social isolation and wildfires: genetic analysis of a work by Isabê
items: “Aperto-lhe a mão”: Mario de Andrade reads Francisca Júlia and Julia Cortines
items: Course-of-Action and Genetic Criticism: An Analysis of the “Sweet Section” from “A Dream Within A Dream” (2012) by Tatiana Catanzaro
items: Writing as a palimpsest: the metagenetic space in L'Événement, from Annie Ernaux
items: Last in a long line: literary kleptomania in the process of the play "doze."
items: Revelations Of The Voice: The Study Of Voice Poetics Applied To Vaga Carne
items: A tradução cantável da ópera II Guarany por C. Paula Barros: a construção da memória sobre Carlos Gomes pela política cultural de Gustavo Capanema
items: “A oncinha Peteleca” by Lúcia Di Sanctis: construction of collection and creative process
items: Detachment from beliefs in the making: materiality in the process of creating an artist's book

Homenagem a Louis Hay
type: item
description: Carta de Philippe Willemart em homenagem a Louis Hay.
subject: Homenagens
  topic: section
subject: Louis Hay
  topic: keywords
subject: Crítica Genética
  topic: keywords
subject: Homenagem
  topic: keywords
creator: Philippe Willemart
rights: Copyright (c) 2025 Philippe Willemart https://creativecommons.org/licenses/by/4.0
date: 2025-12-31
publication date: 2025-12-31
starting page: 297
ending page: 298
doi: 10.11606/issn.2596-2477.i57p297-298

Visualidades: Arquivo Expandido – conexões e processos de criação
type: item
description: O número 57 da revista Manuscrítica é dedicado ao 16º Congresso Internacional da Associação de Pesquisadores em Crítica Genética (APCG), realizado na Universidade de São Paulo (USP), em novembro de 2024, sob o tema “Arquivo Expandido: conexões e processos de criação”.
subject: Editorial
  topic: section
subject: editorial 57
  topic: keywords
subject: visualidades
  topic: keywords
subject: arquivo expandido
  topic: keywords
creator: Patricia Kiss Spineli
creator: Edson do Prado Pfützenreuter
rights: Copyright (c) 2025 Patricia Kiss Spineli, Edson do Prado Pfützenreuter https://creativecommons.org/licenses/by/4.0
date: 2025-12-31
publication date: 2025-12-31
starting page: 1
ending page: 4
doi: 10.11606/issn.2596-2477.i57p1-4

Arquivo Expandido – conexões e processos de criação
type: item
description: Editorial, n. 56: “Arquivo Expandido – conexões e processos de criação”
subject: Editorial
  topic: section
creator: Giovani T. Kurz
rights: Copyright (c) 2025 Giovani T. Kurz https://creativecommons.org/licenses/by/4.0
date: 2025-12-23
publication date: 2025-12-23
starting page: 1
ending page: 6
doi: 10.11606/issn.2596-2477.i56p1-6

Photogrammetry as an artistic medium: recording movement in image capture failures
type: item
description: This article explores the use of photogrammetry as an artistic technique, transforming its original function—creating precise digital replicas of the real world—into a means of subjective expression. By introducing intentional flaws during image capture or processing, distortions and glitches are generated that add aesthetic value, converting the technique into an authorial visual language. The central approach investigates how three-dimensionalization methodologies can be distorted in the creative process, producing records that document not only reality, but also the artist's interpretation. As in painting or photography, photogrammetry, initially a documentation technique, begins to reflect individual experiences, balancing technical rigor and creative freedom. Based on Cascone, Heijer and Puspita et al., we propose a study on the limits and possibilities of photogrammetry in art, expanding its applicability and establishing a dialogue between precision and expression. Natural aberrations become aesthetic resources, redefining the technique as an artistic medium.
subject: Ateliê
  topic: section
subject: photogrammetry
  topic: keywords
subject: glitch art
  topic: keywords
subject: creative process
  topic: keywords
subject: visualities
  topic: keywords
creator: Beatriz Righetti Ferreira
creator: Joedy Luciana Barros Marins Bamonte
rights: Copyright (c) 2025 Beatriz Righetti Ferreira, Joedy Luciana Barros Marins Bamonte https://creativecommons.org/licenses/by/4.0
date: 2025-12-31
publication date: 2025-12-31
starting page: 74
ending page: 83
doi: 10.11606/issn.2596-2477.i57p74-83

Memory and projection in the extensions of making: the Maria Ivone dos Santos Archive
type: item
description: Artists leave traces of their research, creating collections that contain potential sources of research on the poetics of a creator and on art. However, many of these collections are not institutionalized, so the artists themselves sometimes seek ways to preserve their memory. Taking the Maria Ivone dos Santos Archive as a case study, this article analyzes how collection management procedures applied to a non-institutionalized artist archive, open and in use, contribute to the constitution of a memory of art. The analysis aims to contribute to the reflection on artists' collections and the strategies developed for their preservation. The research is qualitative and applied in nature, developed through a case study and bibliographic review with theoretical support from Bellotto (2006), Cândido (2006), Cirillo (2019), Foster (2004), Ladkin (2004) and Padilha (2014). The study concludes that, in addition to a strategy for constructing a personal memory, the archive under analysis promotes the preservation of the memory of art, configuring itself as an exercise in resistance in the face of the lack of public policies aimed at valuing artists' collections.
subject: Incipit
  topic: section
subject: Artist archive
  topic: keywords
subject: Contemporary art
  topic: keywords
subject: Collection management
  topic: keywords
creator: Daiana Schröpel
rights: Copyright (c) 2025 Daiana Schröpel https://creativecommons.org/licenses/by/4.0
date: 2025-12-31
publication date: 2025-12-31
starting page: 240
ending page: 254
doi: 10.11606/issn.2596-2477.i57p240-254

Faminta de sua essencialidade: o processo de construção das personagens hilstianas
type: item
description: O presente trabalho parte da investigação dos manuscritos de Hilda Hilst com o enfoque voltado para a perspectiva da construção das personagens. Tais manuscritos encontram-se salvaguardados no Centro de Documentação Alexandre Eulálio (CEDAE), localizado na Universidade Estadual de Campinas (Unicamp). No exame dos seus documentos de processo, verifica-se que existe um mesmo fio condutor que conecta a elaboração de diferentes personagens das suas narrativas: a busca de natureza ontológica ou de uma “essencialidade”. Tendo em vista o recorte em questão, é possível percorrer as linhas errantes da escrita hilstiana, a exemplo das citações diretas de livros, das sistematizações de estudos com o intuito de pesquisa, dos esboços com expressões ou trechos soltos utilizados em narrativas, das anotações acerca da construção das personagens. Em específico, importa assumir um olhar privilegiado a respeito da construção das personagens, sobretudo das que integram a prosa de ficção publicada na década de 80: Tu não te moves de ti (1980) e A obscena Senhora D (1982).
subject: Artigos
  topic: section
subject: Manuscritos; construção de personagens; essencialidade; Hilda Hilst.
  topic: keywords
creator: Andréa Jamilly Rodrigues Leitão
rights: Copyright (c) 2025 Andréa Jamilly Rodrigues Leitão https://creativecommons.org/licenses/by/4.0
date: 2025-12-23
publication date: 2025-12-23
starting page: 7
ending page: 24
doi: 10.11606/issn.2596-2477.i56p7-24

https://revistas.usp.br/manuscritica/en/article/view/237434
type: item
title: This article proposes the hypothesis that the editing and re-editing process of Frauta de barro, by the Amazonian poet Luiz Bacellar (1928–2012), involves an aesthetic procedure that can be understood in the context of archiving possibilities — both material and immaterial — in non-hegemonic settings, characterised by limited safeguarding of cultural memory. The focus is on the relationship between the theme of the imminent or actual disappearance of specific names, objects and places in a changing city, and the textual economy that emerges from the seven versions published during the poet's lifetime. Viewed through this lens, the observed textual mobility and instability appear indicative of the surrounding culture's anarchivic nature, internalised as a regime of meaning production. This article builds upon the reflections on archive and memory of authors such as Jacques Derrida (2001), Diana Taylor (2013), Aleida Assmann (2011), and Reinaldo Marques (2015), to argue that Frauta de barro establishes a poetics of anarchivism extending to the entire Bacellarian oeuvre. The study concludes that the collection of printed texts can serve as a dossier that can support the development of local theories of the archive in the Amazonian context.
description: This article proposes the hypothesis that the editing and re-editing process of Frauta de barro, by the Amazonian poet Luiz Bacellar (1928–2012), involves an aesthetic procedure that can be understood in the context of archiving possibilities — both material and immaterial — in non-hegemonic settings, characterised by limited safeguarding of cultural memory. The focus is on the relationship between the theme of the imminent or actual disappearance of specific names, objects and places in a changing city, and the textual economy that emerges from the seven versions published during the poet's lifetime. Viewed through this lens, the observed textual mobility and instability appear indicative of the surrounding culture's anarchivic nature, internalised as a regime of meaning production. This article builds upon the reflections on archive and memory of authors such as Jacques Derrida (2001), Diana Taylor (2013), Aleida Assmann (2011), and Reinaldo Marques (2015), to argue that Frauta de barro establishes a poetics of anarchivism extending to the entire Bacellarian oeuvre. The study concludes that the collection of printed texts can serve as a dossier that can support the development of local theories of the archive in the Amazonian context.
subject: Artigos
  topic: section
subject: Frauta de barro; Luiz Bacellar; Archive; Memory; Anarchivism.
  topic: keywords
creator: João Paulo Cardoso Alves
creator: Allison Marcos Leão da Silva
rights: Copyright (c) 2025 João Paulo Cardoso Alves, Allison Leão https://creativecommons.org/licenses/by/4.0
date: 2025-12-23
publication date: 2025-12-23
starting page: 220
ending page: 232
doi: 10.11606/issn.2596-2477.i56p220-232

Concept Art in the creative process of Fernand Léger's animation Ballet Mécanique (1924).
type: item
description: Animation is, first and foremost, an often complex artistic language that transcends technical intent. Throughout history, it has often been reduced to an entertainment tool and delegitimized to its artistic point, but its expressive potential reveals something that manipulates time, space and visual matter in a unique way. This article starts from an understanding of animation as an autonomous and rich form of expression, with issues aligned with visual culture that even predates photographic cinema. Through a brief historical and aesthetic approach, it investigates how animation has been consolidated as an artistic language, especially since the modern avant-garde of the 20th century with the experimental use of Cubist artist Fernand Léger with his work ‘Ballet Mécanique’ (1924), which highlights its technical and conceptual specificities and aims to highlight its functionality and fundamentality as a form of sensitive representation, as well as its contribution to contemporary art and visual thinking.
subject: Ateliê
  topic: section
subject: Animation
  topic: keywords
subject: Ballet Mécanique
  topic: keywords
subject: Fernand Léger
  topic: keywords
subject: Creative Process
  topic: keywords
subject: Modern Vanguards
  topic: keywords
creator: Natacha de Souza
creator: David Ruiz Torres
rights: Copyright (c) 2025 Natacha de Souza, David Ruiz Torres https://creativecommons.org/licenses/by/4.0
date: 2025-12-31
publication date: 2025-12-31
starting page: 56
ending page: 73
doi: 10.11606/issn.2596-2477.i57p56-73

Modesto Carone (Di)Ante (d)a lei: a possible poetics of translation recorded in the translator's archives
type: item
description: This article aims to answer a question regarding the documents in the “Modesto Carone Fund”: is it possible to apprehend a “poetics of translation” from the archives and marginalia left by the most renowned Brazilian translator of Franz Kafka's work? Taking as objects of analysis some records of the translation process of the text “Vor dem Gesetz” – “Before the Law” – found in his archives, I argue that the narrative in question can represent, in a literal way, the translation poetics that Carone established to handle Kafka's work, based on the understanding of the Czech writer's style and the establishment of a translation “law” of fidelity to a bureaucratic, incisive and protocol diction.
subject: Artigos
  topic: section
subject: Modesto Carone
  topic: keywords
subject: Franz Kafka
  topic: keywords
subject: translation
  topic: keywords
subject: documents of process
  topic: keywords
subject: Before the Law
  topic: keywords
creator: Everaldo Rodrigues da Silva Junior
rights: Copyright (c) 2025 Everaldo Rodrigues https://creativecommons.org/licenses/by/4.0
date: 2025-12-23
publication date: 2025-12-23
starting page: 282
ending page: 300
doi: 10.11606/issn.2596-2477.i56p282-300

Em busca da abstração: Clarice Lispector no arquivo de Leyla Perrone-Moisés
type: item
description: A partir do contato com uma quantidade de documentos excepcional no arquivo privado de Leyla Perrone-Moisés, em torno de estudos sobre a obra de Clarice Lispector, para uma crítica que geralmente não é identificada, pelo menos no Brasil, com este objeto literário, mas reconhecida como grande intérprete e divulgadora da produção literária de língua francesa, propomos explorar tal dossiê genético para identificar quais são suas características. Além disso, pretendemos compreender como, em primeiro lugar, o olhar da ensaísta sobre uma obra literária se constrói a partir da pintura abstrata e, em segundo, como sua linguagem se articula por meio de artifícios próprios desse tipo de expressão artística.
subject: Artigos
  topic: section
subject: Clarice Lispector
  topic: keywords
subject: Leyla Perrone-Moisés
  topic: keywords
subject: Pintura abstrata
  topic: keywords
subject: manuscritos
  topic: keywords
creator: Aline Novais de Almeida
creator: Claudia Consuelo Amigo Pino
rights: Copyright (c) 2025 Claudia Amigo Pino, Aline Novais de Almeida https://creativecommons.org/licenses/by/4.0
date: 2025-12-23
publication date: 2025-12-23
starting page: 100
ending page: 121
doi: 10.11606/issn.2596-2477.i56p100-121

A. D. Tavares Bastos, corresponsal de Murilo Miranda
type: item
description: A. D. Tavares Bastos contribuiu, significativamente, para a divulgação da literatura brasileira na Europa, seja traduzindo obras de escritores brasileiros, seja intermediando a publicação dessas obras com editoras e periódicos franceses. Em sua correspondência a Murilo Miranda, diretor da Revista Acadêmica (1933-1948), Tavares Bastos envia notícias da atmosfera de renascimento de Paris, após a libertação do jugo nazista, e a retomada de projetos culturais na cidade, muitos dos quais o escritor participou. Nas cartas, registra-se, também, sua função de corresponsal da Revista Acadêmica em Paris, solicitando contribuições dos autores franceses ou artistas radicados na França para o periódico carioca, cuja admiração pela literatura e cultura francesas é reafirmada, em 1946, em um número comemorativo sobre o país. É possível, ainda, acompanhar a circulação das próprias obras de Tavares Bastos e de outros autores daqui, numa tentativa de consolidar as parcerias culturais Brasil-França. Partindo de estudos sobre a Revista Acadêmica e a trajetória de Tavares Bastos, como os de Ribeiro (1989) e Amorim (s.d.), espera-se, através da leitura da correspondência de Tavares a Murilo e do mapeamento das contribuições do escritor para a Revista Acadêmica, reafirmar, assim, a sua importância na difusão da literatura brasileira.
subject: Artigos
  topic: section
subject: A. D. Tavares Bastos
  topic: keywords
subject: Carta
  topic: keywords
subject: França
  topic: keywords
subject: Murilo Miranda
  topic: keywords
subject: Revista Acadêmica
  topic: keywords
creator: Mônica Gomes da Silva
rights: Copyright (c) 2025 Mônica Gomes da Silva https://creativecommons.org/licenses/by/4.0
date: 2025-12-23
publication date: 2025-12-23
starting page: 183
ending page: 202
doi: 10.11606/issn.2596-2477.i56p183-202

Decifra-me, disse eu à esfinge. E esta ficou muda: Pose e artifício na correspondência de Clarice Lispector
type: item
description: Este artigo propõe investigar como a correspondência de Clarice Lispector contribui como um espaço de construção e complexificação das imagens públicas da escritora, frequentemente, marcadas por leituras biografistas e mitificadas. Nesta complexa elaboração de imagens realizadas por diversas vozes – críticos, amigos, leitores –, as cartas de Clarice Lispector acrescentam um conjunto de diálogos que visam, não apenas um registro transparente do cotidiano e da intimidade, mas como um espaço aberto à performance e a elaboração estética. O objetivo deste artigo, portanto, é estudar o processo de construção das imagens de Clarice Lispector, buscando compreender o lugar que sua correspondência ocupa nele. Para esta análise destacaremos os conceitos de “persona” e “pose” (política da pose) (LIMA, 1986 e 1991; MOLLOY, 2022), bem como a ideia de “sensibilidade Camp” (SONTAG, 2020). A partir dessas referências, foi possível observar como as cartas participam desse diálogo, constituindo-se não como uma escrita transparente e referencial, mas como um espaço de elaboração de autoimagens complexas da autora, nas quais a ficção e o tratamento poético da linguagem também estão presentes.
subject: Artigos
  topic: section
subject: correspondência
  topic: keywords
subject: pose
  topic: keywords
subject: artifício
  topic: keywords
creator: Raynara Barbosa Voltan
rights: Copyright (c) 2025 Raynara Barbosa Voltan https://creativecommons.org/licenses/by/4.0
date: 2025-12-23
publication date: 2025-12-23
starting page: 122
ending page: 141
doi: 10.11606/issn.2596-2477.i56p122-141

Note-making as match-striking
type: item
description: The essay “Note-making as match-striking” examines the role of note-taking in the formative process of writers. It addresses key aspects such as the motivation behind this practice, its functions, and its operative dynamics. Furthermore, it considers the relationship between writing and its material supports, particularly through the practices of figures such as Ana Cristina Cesar, Emily Dickinson, Leonilson, and Walt Whitman. Rather than serving as a means of objectively documenting events, notes are understood as fragmentary records that form part of the creative process, functioning as expressions of identity, modes of self-revelation, and mechanisms for preserving traces and assembling an artistic repository in response to impermanence and forgetting. Written in a reflective and essayistic style, the text also includes Creative Writing exercises that emphasize the practice of maintaining a writer’s notebook.
subject: Artigos
  topic: section
subject: notes; notebook; process; manuscript; Creative Writing.
  topic: keywords
creator: Moema Vilela Pereira
rights: Copyright (c) 2025 Moema Vilela Pereira https://creativecommons.org/licenses/by/4.0
date: 2025-12-23
publication date: 2025-12-23
starting page: 318
ending page: 328
doi: 10.11606/issn.2596-2477.i56p318-328

Network dance: creative procedure as a complex system of language and(in) education
type: item
description: With the aim of highlighting the complexity in the creative process of a video choreography, the article entitled Networked dance: the creative procedure as a complex system of language and(in) education is built on the analysis of the relationships between the body and technological mediations of communication. By considering the audiovisual work and its multidimensional nature, the text references the pedagogical processes involved in/for artistic creation by basing itself on the understanding of the subject-environment interrelationship and dialoguing with the assumptions of the epistemology of complexity postulated by Edgar Morin. The methodology, based on Process Criticism as proposed by Cecilia de Almeida Salles, analyzes the creative procedure through the examination of drafts, photographs, notebooks and diaries, as well as complex relationships that permeate the elements of the creative process. The artistic work analyzed points to a transdisciplinary approach, whose path extends from word to gesture, from body to video, from presence to transmission, recording and editing, and from the voice lent to bodie, through the sharing of individualities. From the video choreography, constructed with videographic technological mediation, complex relationships emerge between bodies, languages – ​​and interactive movements – that highlight the emergence of educational implications of/in the artistic compositional method.
subject: Ateliê
  topic: section
subject: Complexidade
  topic: keywords
subject: Processo Criativo
  topic: keywords
subject: Linguagem
  topic: keywords
subject: Dança
  topic: keywords
subject: Educação
  topic: keywords
creator: Helen Cristiane de Aguiar
rights: Copyright (c) 2025 Helen Cristiane de Aguiar https://creativecommons.org/licenses/by/4.0
date: 2025-12-31
publication date: 2025-12-31
starting page: 84
ending page: 99
doi: 10.11606/issn.2596-2477.i57p84-99

Palimpsesto montelliano: da concepção à preparação ficcional nos Diários de Josué Montello
type: item
description: O presente artigo tem como objetivo basilar investigar a relação intrínseca entre os Diários e o processo criativo do romancista Josué Montello demonstrando que tal gênero não se refere apenas de um mero repositório para depósitos de registro pessoais de somenos importância, mas sim uma fonte inesgotável de riqueza literária que dialoga com seu processo criativo e criações literárias, permitindo um entendimento mais profundo das motivações e dos métodos do autor. Paralelamente, a breve pesquisa sugere, também, que ao fazermos uso da Crítica Genética como abordagem metodológica, os Diários proporcionam uma nova perspectiva sobre a obra de Montello, contribuindo para evidenciar aspectos como a intertextualidade e a construção de identidade literária bem como a valorização de seus ensinamentos como “artífice da palavra” e sua contribuição para a literatura em geral. Por fim demonstrar-se-á como os escritos diarísticos do autor funcionam como um “palimpsesto”, revelando elementos íntimos da sua construção ficcional bem como as constantes revisões, reescritas, supressões e acréscimos que perpassam toda a sua obra como romancista.
subject: Artigos
  topic: section
subject: Josué Montello
  topic: keywords
subject: Diários
  topic: keywords
subject: Crítica Genética
  topic: keywords
subject: Processo Criativo
  topic: keywords
creator: Saulo Barreto Lima Fernandes
rights: Copyright (c) 2025 Saulo Barreto Lima Fernandes, Douglas Rodrigues de Sousa https://creativecommons.org/licenses/by/4.0
date: 2025-12-23
publication date: 2025-12-23
starting page: 301
ending page: 317
doi: 10.11606/issn.2596-2477.i56p301-317

“What a sacred monster you are”: Murilo Mendes writes to Jorge de Sena (1961-1974)
type: item
description: This essay aims to analyze the fourteen unpublished letters written by Murilo Mendes (1901-1975) to Jorge de Sena (1919-1978), between 1961 and 1974. The letters highlight the creative process of Janelas verdes, Convergência, Ipotesi, especially with regard to his deep relationship with Portuguese culture. The letters thus allow a direct and more detailed contact with some important elements of the author’s poetics during the Italian phase (1957-1975): the affective value of the literary work, and the function performed by poetry as a literay, artistic and ideological critique.
subject: Artigos
  topic: section
creator: Raphael Salomão Khéde Khede
rights: Copyright (c) 2025 Raphael Salomão Khéde Khede https://creativecommons.org/licenses/by/4.0
date: 2025-12-23
publication date: 2025-12-23
starting page: 162
ending page: 182
doi: 10.11606/issn.2596-2477.i56p162-182

Using XML/TEI in the Study of Correspondence: Genetic Criticism, Computing, and the Letters of Marcel Proust
type: item
description: This article investigates the convergence between genetic criticism and the digital humanities, focusing on the use of XML/TEI language in the editing and analysis of epistolary archives. It offers an overview of projects dedicated to the digital edition of correspondence, with an emphasis on Francophone corpora, and analyzes the Corr-Proust project—an international consortium devoted to the critical and digital edition of Marcel Proust’s letters. The discussion delves into the uses of XML/TEI encoding, exploring its potential through two specific axes: the encoding of names and the encoding of external references. This approach expands the possibilities for reading and interconnecting data in epistolary archives, fostering new forms of access, analysis, understanding, and circulation of literary material. The article thus presents the behind-the-scenes work of an innovative project, aiming to inform and encourage the use of digital tools in literary research.
subject: Artigos
  topic: section
subject: Digital Humanities
  topic: keywords
subject: genetic criticisim
  topic: keywords
subject: XML
  topic: keywords
subject: TEI
  topic: keywords
subject: Marcel Proust
  topic: keywords
subject: Correspondence
  topic: keywords
subject: Manuscripts
  topic: keywords
creator: Yuri Cerqueira dos Anjos
rights: Copyright (c) 2025 Yuri Cerqueira dos Anjos https://creativecommons.org/licenses/by/4.0
date: 2025-12-23
publication date: 2025-12-23
starting page: 142
ending page: 161
doi: 10.11606/issn.2596-2477.i56p142-161

Nos traços críticos de Leyla Perrone-Moisés
type: item
description: Este artigo investiga os primeiros traços críticos de Leyla Perrone-Moisés a partir da articulação entre sua formação como pintora e o início de sua atuação como crítica literária no “Suplemento Literário” de O Estado de S. Paulo. Ao acompanhar sua transição da pintura à literatura, especialmente por meio de sua crítica sobre escritores do nouveau roman francês, observa-se como os princípios da arte abstrata — assimilados nos anos de formação com Samson Flexor — permanecem como fundamentos de sua sensibilidade crítica. Através da comparação entre suas primeiras resenhas e a posterior elaboração do livro O novo romance francês (1966), o trabalho busca entender como o amadurecimento crítico se dá não como ruptura, mas como reorganização de ideias.
subject: Artigos
  topic: section
subject: Leyla Perrone-Moisés
  topic: keywords
subject: Arte abstrata
  topic: keywords
subject: Crítica literária
  topic: keywords
subject: Pintura
  topic: keywords
creator: Sofia França Souza
rights: Copyright (c) 2025 Sofia França Souza https://creativecommons.org/licenses/by/4.0
date: 2025-12-23
publication date: 2025-12-23
starting page: 81
ending page: 99
doi: 10.11606/issn.2596-2477.i56p81-99

No Limiar Do Livro: Os Paratextos de Misterios Del Plata, de Juana Manso, Nas Versões Autógrafas
type: item
description: Este trabalho apresenta resultados preliminares da análise comparativa de paratextos editoriais da obra bilíngue Misterios del Plata, de Juana Paula Manso, publicada em folhetim nos jornais O Jornal das Senhoras, de 1852, no Rio de Janeiro, e no El Inválido Argentino, de 1867, em Buenos Aires, com o objetivo de verificar as reformulações feitas pela escritora no momento de re/publicação dos seus textos. Embora a obra Misterios del Plata tenha sido publicada em formato de livro na Argentina, de maneira póstuma, optou-se por estudar os paratextos originais, ou seja, os que apareceram sob os cuidados de sua autora nos referidos jornais, por serem autógrafos e, assim, apresentarem marcas presentes/ausentes das condições de produção da própria autora, diferente das demais edições, que têm marcas e acréscimos feitos por seus editores. Apoiando-se no conceito de paratexto de Gérard Genette (2009), de que um texto se apresenta, e se presentifica no mundo, com o reforço de certo número de produções, verbais ou não, como um nome de autor, um título, um prefácio, que formam uma “orla”, o limiar do texto, observa-se que as adequações das publicações da obra aos seus contextos e públicos revelam não apenas o desejo da escritora em participar ativamente da história política do seu país, mas apresenta a tessitura de um projeto literário poético, de uma mulher oitocentista da América do Sul, atravessado pela marca do exílio.
subject: Artigos
  topic: section
subject: Juana Manso;
  topic: keywords
subject: Misterios del Plata
  topic: keywords
subject: Escrita feminina
  topic: keywords
subject: Século XIX
  topic: keywords
creator: Luma Virgínia de Souza Medeiros
creator: Regina Simon da Silva
rights: Copyright (c) 2025 Luma Virgínia de Souza Medeiros, Regina Silva https://creativecommons.org/licenses/by/4.0
date: 2025-12-23
publication date: 2025-12-23
starting page: 250
ending page: 268
doi: 10.11606/issn.2596-2477.i56p250-268

Sketchbooks as an artistic work: a reflection on archives in contemporary art
type: item
description: This article aims to propose a reflection on the ways in which archives are presented in contemporary art, specifically addressing the establishment of the sketchbook as an archival process in the context of poetic productions. It presents an analysis of the concept of the sketchbook historically produced by artists and its material relationship with the book format, in order to determine and observe that this medium is not only related to procedures intended for a particular view of mnemonic notes, but goes beyond this intimate situation, revealing itself as a legitimate material form of expression intended for the public and carrying within itself a signic potential with numerous conceptual and relational implications linked to the archive, drawing, and consequently other artistic languages.
subject: Ateliê
  topic: section
subject: Sketchbooks
  topic: keywords
subject: artistic languages
  topic: keywords
subject: contemporary art
  topic: keywords
subject: archive
  topic: keywords
subject: visual poetics
  topic: keywords
creator: Paula Almozara
rights: Copyright (c) 2025 Paula Almozara https://creativecommons.org/licenses/by/4.0
date: 2025-12-31
publication date: 2025-12-31
starting page: 5
ending page: 19
doi: 10.11606/issn.2596-2477.i57p5-19

O memorial poético como extensão dos processos criativos em artes
type: item
description: O artigo propõe a abertura de uma reflexão sobre os desafios enfrentados por artistas-pesquisadoras/es ao lidar com a escrita em memoriais poéticos em Artes. A partir de uma investigação teórica articulada a uma pesquisa empírica com perguntas abertas, respondidas por artistas de diversas regiões do país, discute-se a hipótese de que, nesse contexto, a escrita é frequentemente tratada e encarada como mera representação da obra. Isso tende a reforçar uma abordagem descritiva, dogmática e normativa da própria prática da escrita, o que dificulta que os memoriais poéticos sejam acionados como dimensão constitutiva, propulsora e coextensiva dos processos de criação artística.
subject: Incipit
  topic: section
subject: Escrita
  topic: keywords
subject: Pesquisa em Artes
  topic: keywords
subject: Processos Criativos
  topic: keywords
subject: Memoriais Poéticos
  topic: keywords
creator: Lindomberto Ferreira Alves
creator: Maria dos Remédios de Brito
rights: Copyright (c) 2025 Lindomberto Ferreira Alves, Maria dos Remédios de Brito https://creativecommons.org/licenses/by/4.0
date: 2025-12-31
publication date: 2025-12-31
starting page: 218
ending page: 239
doi: 10.11606/issn.2596-2477.i57p218-239

Social isolation and wildfires: genetic analysis of a work by Isabê
type: item
description: This study analyzes a segment of the creative process of the artist Isabella Abreu (Isabê), from the state of Mato Grosso do Sul, based on the painting Te Vejo (2020), part of the Memórias do Fogo series, developed during the period of social isolation caused by the COVID-19 pandemic in Campo Grande, Brazil. The analysis is grounded in documentary records of the creative process, publicly shared through social media, interviews, and a documentary film. Drawing on the work of Fayga Ostrower, who understands creativity as a phenomenon intrinsically linked to human experience, the study explores how the pandemic context influenced the artist’s production. Using principles of Genetic Criticism, as proposed by Cecília Almeida Salles, along with elements of Peircean Semiotics, this research investigates how the collected documents reveal the dialogue between social isolation, the Pantanal wildfires, and the final artwork. It aims to understand the relationship between lived experience, context, and creative processes. Thus, the publicly available records were employed to trace the development of the artwork and to comprehend how the creative process adapts to specific conditions and artistic intentions.
subject: Ateliê
  topic: section
subject: creative processes
  topic: keywords
subject: contemporary painting
  topic: keywords
subject: genetic criticism
  topic: keywords
creator: Caroline de Souza Araújo
creator: Priscilla de Paula Pessoa
rights: Copyright (c) 2025 Caroline de Souza Araújo, Priscilla de Paula Pessoa https://creativecommons.org/licenses/by/4.0
date: 2025-12-31
publication date: 2025-12-31
starting page: 180
ending page: 199
doi: 10.11606/issn.2596-2477.i57p181-199

“Aperto-lhe a mão”: Mario de Andrade reads Francisca Júlia and Julia Cortines
type: item
description: Mário de Andrade always understood that “by following the old poets, the modernists are so new.” The attentive reader, eager to follow aesthetic resources, appropriating forms and good solutions, leaves marks between the lines and on blank pages, in the footnotes and margins of the many pages where they seek to verify the poetic rigor of Parnassianism. They extract possibilities, reject many others, and make their poetry take shape through dedicated study and an affection for good versification. Approaching the formative readings of the São Paulo writer offers access to a dense and quite interesting framework of poetic matrices, as it reveals the path of a modernist engaged with these readings long after the Week of 1922, as marginal notes dated from that period allow us to affirm. This dialogue invites and greatly unsettles us when we realize the significant exchange established with Francisca Julia and Julia Cortines, fundamental figures in the production of our Parnassianism, although little celebrated at the time — and throughout the years that followed.
subject: Artigos
  topic: section
creator: Ligia Kimori
rights: Copyright (c) 2025 Ligia Kimori https://creativecommons.org/licenses/by/4.0
date: 2025-12-23
publication date: 2025-12-23
starting page: 203
ending page: 219
doi: 10.11606/issn.2596-2477.i56p203-219

Course-of-Action and Genetic Criticism: An Analysis of the “Sweet Section” from “A Dream Within A Dream” (2012) by Tatiana Catanzaro
type: item
description: This article analyzes the compositional process behind “A Dream Within A Dream” (2012), for orchestra and electronics, by Tatiana Catanzaro, focusing on the so-called “trecho doce” (“sweet section”), a passage that stands out for its instrumental writing, distinct from the rest of the piece. The investigation combines course-of-action analysis (THEUREAU, 2003; Idem, 2014; DONIN, THEUREAU, 2007) with genetic criticism (DONIN, FENEYROU, 2015; DONIN, FÉRON, 2012; TONI, 2007), proposing an integrated approach to overcome data collection challenges and highlighting its heuristic potential. Through re-enactment interviews based on material traces (POIZAT, MARTIN, 2020) and various digital files provided by the composer, the article reconstructs the development of the “trecho doce” across 36 versions of the score drafts. The analysis reveals how Catanzaro’s expectations regarding conductor Raoul Lay’s preferences initially led to more traditional writing, in contrast to the spectralist-inspired approach that shaped the rest of the piece (AUTHOR, 2023). The subsequent abandonment, and later resumption and reformulation of the section, reflect a transformation in the composer’s Involvement, indicating a partial overcoming of this expectation-of-the-expectation in favor of her own musical aspirations.
subject: Incipit
  topic: section
subject: genetic criticisim
  topic: keywords
subject: course-of-action analysis
  topic: keywords
subject: creative process
  topic: keywords
subject: contemporary music
  topic: keywords
subject: mixed music
  topic: keywords
creator: Lucas Quinamo Furtado de Mendonça
rights: Copyright (c) 2025 Lucas Quinamo https://creativecommons.org/licenses/by/4.0
date: 2025-12-31
publication date: 2025-12-31
starting page: 274
ending page: 296
doi: 10.11606/issn.2596-2477.i57p274-296

Writing as a palimpsest: the metagenetic space in L'Événement, from Annie Ernaux
type: item
description: Composed by the confluence of distinct scriptural layers that overlap without undoing one another, the autobiographical account L’Événement (2000) by Annie Ernaux comes from a work of memory and writing aimed at baring the clandestine abortion underwent by the author in 1964. On the one hand, the narrative incorporates fragments from Ernaux’s personal archive – since she cites the diary and the agenda kept during the narrated events – and, on the other, it incorporates passages destinated to reflections regarding the book’s textual elaboration, which echo the language used in the writing journal L’Atelier Noir (2011). This one reveals the hesitations leading to L’Événement’s composition in the year of 1999, later revisited in the autobiography Le jeune homme (2022). In this regard, this article relies on the metaphor of the palimpsest to explore the textual overlapping that takes place in L’Événement and to grasp its relevance to the narrative’s creation. Therefore, it investigates Ernaux’s literary project and assesses the possibilities of interpretation opened by a genetic study that is decentralized of the autograph document, ultimately analyzing the abortion account through its relationship with the referenced texts.
subject: Artigos
  topic: section
subject: Annie Ernaux
  topic: keywords
subject: L'Événement
  topic: keywords
subject: genetic criticism
  topic: keywords
subject: autobiography
  topic: keywords
subject: archive
  topic: keywords
creator: Gabriela Guidi Trovo
creator: Claudia Consuelo Amigo Pino
rights: Copyright (c) 2025 Gabriela Trovo, Claudia Consuelo Amigo Pino https://creativecommons.org/licenses/by/4.0
date: 2025-12-23
publication date: 2025-12-23
starting page: 59
ending page: 80
doi: 10.11606/issn.2596-2477.i56p59-80

Last in a long line: literary kleptomania in the process of the play "doze."
type: item
description: Averse to labels and ready-made formulas, Sarah Kane wanted to blow up the theatre, even literally: her dramatic work created a great fissure in the British scene. Her debut with Blasted provoked violent and misogynistic criticism that affected the reception of her subsequent plays – Phaedra’s Love, Cleansed, and Crave. Sarah Kane’s search for theatrical viscerality subverted categories considered imperative, reaching its peak in 4.48 Psychosis: in this last work, there is no longer a plot, characters, or rubrics, as the boundaries between form and content have been dissolved. It is also in 4.48 that Sarah names one of her practices of creation, the literary kleptomania – which is precisely the trigger for the creative process of solo doze., developed during a master's research in 2023. The purpose of this text, written from the communication presented at the 16º Congresso Internacional da Associação dos Pesquisadores em Crítica Genética, is to share traces of the creative trajectory of doze., a process that involved not only theatrical and scenic aspects, but also issues of literary theory and translation studies, integrating them with the work of acting and performance and its aspects that are both technical and subjective.
subject: Ateliê
  topic: section
subject: Sarah Kane
  topic: keywords
subject: 4.48 Psychosis
  topic: keywords
subject: Literary kleptomania
  topic: keywords
creator: Fernanda Paula Capraro de Toledo
rights: Copyright (c) 2025 Fernanda Paula Capraro de Toledo https://creativecommons.org/licenses/by/4.0
date: 2025-12-31
publication date: 2025-12-31
starting page: 140
ending page: 163
doi: 10.11606/issn.2596-2477.i57p140-163

Revelations Of The Voice: The Study Of Voice Poetics Applied To Vaga Carne
type: item
description: This article presents aspects of a research project based on the review of disciplines in the area of voice and scenic studies carried out throughout the undergraduate degree in performing arts at <Nome oculto>. Its objective was to study the poetics of the voice in the actor's work and the integration of acquired knowledge for the creation of scenic material based on the dramaturgy Vaga Carne (2018) by Grace Passô. The methodology had a somatic character, which combined the revisiting of references from the undergraduate course with records of practices carried out before and during the creative process. The final scenic material was presented to the student community of <Nome oculto>. One of its conclusions was the confirmation of the importance of the integration between the body, vocal production, and the imaginary for acting work. For this, the references were Grace Passô, Meran Vargens, Ciane Fernandes, Constantin Stanislavski, and Bertolt Brecht.
subject: Ateliê
  topic: section
subject: Voice
  topic: keywords
subject: Creative process
  topic: keywords
subject: Performing Arts
  topic: keywords
subject: Acting
  topic: keywords
subject: Vaga Carne
  topic: keywords
creator: Fernanda Lima Maciel da Silva
creator: Rodrigo Spina de Oliveira Castro
rights: Copyright (c) 2025 Fernanda Lima Maciel da Silva, Rodrigo Spina de Oliveira Castro https://creativecommons.org/licenses/by/4.0
date: 2025-12-31
publication date: 2025-12-31
starting page: 120
ending page: 139
doi: 10.11606/issn.2596-2477.i57p120-139

A tradução cantável da ópera II Guarany por C. Paula Barros: a construção da memória sobre Carlos Gomes pela política cultural de Gustavo Capanema
type: item
description: Em 1936, as comemorações do centenário de nascimento do compositor Carlos Gomes foram rodeadas de homenagens. Tendo perfil nacionalista, o governo de Getúlio Vargas aproveitou politicamente a efeméride, patrocinando publicações, conferências, gravações, festivais e montagens de composições de Carlos Gomes. O clímax foi a montagem promovida pela recém-criada Comissão de Teatro da mais popular ópera brasileira – mas com uma novidade: Il Guarany foi cantada em português, segundo a versão brasileira do libreto realizada por C. Paula Barros. A partir de cartas, documentos do arquivo Gustavo Capanema, matérias de jornal da época e publicações patrocinadas pela Imprensa Nacional, pretende-se compreender a construção da memória sobre Carlos Gomes pela política cultural do ministro da Educação e Saúde.
subject: Ateliê
  topic: section
subject: Singable translation
  topic: keywords
subject: C. Paula Barros
  topic: keywords
subject: the opera Il Guarany
  topic: keywords
subject: Carlos Gomes
  topic: keywords
subject: Gustavo Capanema’s cultural policy
  topic: keywords
creator: Daniel Padilha Pacheco da Costa
rights: Copyright (c) 2025 Daniel Padilha Pacheco da Costa https://creativecommons.org/licenses/by/4.0
date: 2025-12-31
publication date: 2025-12-31
starting page: 164
ending page: 179
doi: 10.11606/issn.2596-2477.i57p164-180

“A oncinha Peteleca” by Lúcia Di Sanctis: construction of collection and creative process
type: item
description: We propose a critical reading of the theatrical text “A oncinha Peteleca”, by Lúcia Maria Dias dos Santos / Lúcia Di Sanctis (1946 – 2013), whose tradition consists of four testimonies, dating from 1973 and 1984, in its relation with documents from the show, the Censorship and the press, which belong to Lúcia Di Sanctis Collection, a virtual collection that integrates the Archive of Censored Theatrical Texts. For this, we used contributions from Textual Criticism, Genetic Criticism / Process Criticism and Sociological Criticism, as well as the knowledge from Philology, Sociology of Texts, Archival Studies and Cultural History, understanding the text as a material, cultural and knowledge object (Grésillon, 2007) and creation as a dynamic, relational and unfinished process (Salles, 2006). Lúcia Di Sanctis, a black artist from Salvador, with a degree in Theatrical Direction and a degree in Arts, has worked as an actress, playwright, producer, director and teacher. With her multiple look, she built a political and pedagogical children's theater, writing, adapting and producing texts and shows in Salvador – Bahia, despite the difficulties experienced at that time, with regard to the censorship institutionalized by the Military Dictatorship, the focus on productions developed in the southeast region and the lack of resources for artistic-cultural performances.
subject: Ateliê
  topic: section
subject: Theater
  topic: keywords
subject: Lúcia Di Sanctis
  topic: keywords
subject: Textual Criticism
  topic: keywords
subject: Genetic Criticism
  topic: keywords
subject: Process Criticism
  topic: keywords
creator: Aline de Novais Brandão
creator: Débora de Souza
rights: Copyright (c) 2025 Aline de Novais Brandão, Débora de Souza https://creativecommons.org/licenses/by/4.0
date: 2025-12-31
publication date: 2025-12-31
starting page: 100
ending page: 119
doi: 10.11606/issn.2596-2477.i57p100-119

Detachment from beliefs in the making: materiality in the process of creating an artist's book
type: item
description: Given the various definitions of artist's book, one aspect seems to get close to a consensus among researchers and scholars on the subject: this object would not function in any way but the format proposed. Thus, in the process of creating that type of book, the constructs mutually create the meanings of the artwork. Each aspect gets its importance in the game of meanings accompanied by the other aspect. From this perspective, we believe that the artist must be available to get into a creative process where associations might occur along the experimentation, in its pace. In order to enhance the creativity, recording the experimentation is a practice that helps to make each stage of the creative process part of the result. Besides, we discuss the role of memory, because, despite its creative potential, feeling free from concerns about materiality can be fundamental to get rid of conventions and to create surprising things. This text is the result of reflections that comes from the dialogue between three visual artists and academic researchers who focus on studying the creative processes of artist’s books.
subject: Ateliê
  topic: section
subject: artist's book
  topic: keywords
subject: experimentation
  topic: keywords
subject: visual arts
  topic: keywords
creator: Fabiana Grassano Jorge
creator: Luise Weiss
creator: Germana Gonçalves de Araujo
rights: Copyright (c) 2025 Fabiana Grassano Jorge, Luise Weiss, Germana Gonçalves de Araujo https://creativecommons.org/licenses/by/4.0
date: 2025-12-31
publication date: 2025-12-31
starting page: 20
ending page: 35
doi: 10.11606/issn.2596-2477.i57p20-35