Teoria crítica da mídia: Chun, Galloway, Wark
DOI:
https://doi.org/10.11606/issn.1982-8160.v19i1p151-171Palavras-chave:
Alexander R. Galloway, McKenzie Wark, Teoria Crítica da Mídia, Wendy Hui Kyong ChunResumo
Realizamos uma apresentação da teoria crítica da mídia (norte-americana, surgida a partir dos anos 2000) presente nos autores Wendy Hui Kyong Chun, Alexander R. Galloway e McKenzie Wark. Distinguimos três temas-chave, software, redes e classes, que engendram uma compilação de textos (artigos e capítulos de livros). A partir disso, delineamos os temas, as questões, os contextos e as teses centrais levantadas pelos autores, assim como explicitamos, em considerações finais, os escopos de suas arqueologias de mídias, que fomentam suas teorias críticas.
Downloads
Referências
Berry, D. M. (2011). The philosophy of software: Code and mediation in the digital age. Palgrave Macmillan.
Berry, D. M. (2014). Critical theory and digital. Bloomsbury.
Berry, D. M. (2017). Digital humanities: Knowledge and critique in a digital age. Polity.
Bratton, B. (2015). The stack: On software and sovereignty. MIT Press.
Chun, W. H. K. (2005). On software, or the persistence of visual knowledge. Grey Room, 18, 26–51. https://doi.org/10.1162/1526381043320741
Chun, W. H. K. (2006). Control and freedom: Power and paranoia in the age of fiber optics. MIT Press.
Chun, W. H. K. (2008). On “Sourcery”, or code as fetish. Configurations, 16(3), 299–324. https://doi.org/10.1353/con.0.0064
Chun, W. H. K. (2011). Programmed visions: Software and memory. MIT Press.
Chun, W. H. K. (2015). Networks NOW: Belated Too Early. In David M. Berry, & Michael Dieter (Eds.), Postdigital aesthetics: Art, computation and design (pp. 289–325). Palgrave Macmillan.
Chun, W. H. K. (2016). Updating to remain the same: Habitual new media. MIT Press.
Chun, W. H. K. (2021). Discriminating data: Correlation, neighborhoods, and the new politics of recognition. MIT Press.
Chun, W. H. K., Soon, W., Wardrip-Fruin, N., & Zhu, J. (2022). Software studies, revisited: A roundtable on the software studies series at MIT Press. Computational Culture: a journal of software studies, 9 [preprint]. http://computationalculture.net/software-studies-revisited/
Fuller, M. (2008). Software studies: A lexicon. The MIT Press.
Fuller, M. (2017). How to be a geek: Essays on the culture of software. Polity Press.
Galloway, A. R., & Berry, D. M. (2016). A network is a network is a network: Reflections on the computational and the societies of control. Theory, Culture & Society, 33(4), 151–172.
Galloway, A. R., & Thacker, E. (2004). Protocol, control, and networks. Grey Room, 17, 6–29. https://doi.org/10.1162/1526381042464572
Galloway, A. R., & Thacker, E. (2007). The exploit: A theory of networks. UMP.
Galloway, A. R. (2004). Protocol: How control exists after decentralization. MIT Press.
Galloway, A. R. (2006). Language wants to be overlooked: On software and ideology. Journal of Visual Culture, 5(3), 315–331. https://doi.org/10.1177/1470412906070519
Galloway, A. R. (2011). Black Box, Black Bloc. In B. Noys (Ed.). Communization and its discontents: Contestation, critique, and contemporary struggles (pp. 237-252). Autonomedia.
Galloway, A. R. (2012). The internet effect. Polity Press.
Galloway, A. R. (2013). The poverty of philosophy: Realism and post-Fordism. Critical Inquiry, 39(2), 447–366. https://doi.org/10.1086/668529
Galloway, A. R. (2014). The cybernetic hypothesis. Differences, 25(1), 107–131. https://doi.org/10.1215/10407391-2420021
Galloway, A. R. (2021). The gender of math. Differences, 32(3), 1–24. https://doi.org/10.1215/10407391-9479681
Galloway, A. R. (2021). Uncomputable: Play and politics in the long digital age. Verso.
Galloway, A. R. (2022a). Golden age of analog. Critical Inquiry, 48(2), 211–232. https://doi.org/10.1086/717324
Galloway, A. R. (2022b). The origin of geometry. Grey Room, 86, 6–27. https://doi.org/10.1162/grey_a_00335
Hardt, M. The withering of civil society. Social Text, 45, 27–44. https://doi.org/10.2307/466673
Manovich, L. (2013). Software takes command. Bloomsbury.
Martino, L. M. S. (2014). Teorias das mídias digitais: Linguagens, ambientes, redes. Vozes.
Rüdiger, F. (2011). As teorias da cibercultura: Perspectivas, questões e autores. Sulina.
Wark, M. (2004). The hacker manifesto. Harvard University Press.
Wark, M. (2012). Telesthesia: Communication, culture and class. Polity Press.
Wark, M. (2013). Considerations on a hacker manifesto. In T. Scholz (Ed.). Digital labor: The internet as playground and factory (pp. 89–96). Routledge.
Wark, M. (2015a). Molecular red: Theory for the Anthopocene. Verso.
Wark, M. (2015b). The vectoralist class. E-flux Journal, 65, artigo 4. https://www.e-flux.com/journal/65/336347/the-vectoralist-class/
Wark, M. (2016). The vectoralist class, part II. E-flux Journal, 70, artigo 1. https://www.e-flux.com/journal/70/60567/the-vectoralist-class-part-ii/
Wark, M. (2017a). Alexander Galloway: The intraface. In M. Wark (Ed.). General intellects: Twenty-one thinkers for the twenty-first century (pp. 211–225). Verso.
Wark, M. (2017b). Wendy Chun: Programming politics. In M. Wark (Ed.). General intellects: Twenty-one thinkers for the twenty-first century (pp. 197–210). Verso.
Wark, M. (2019). Capital is dead: Is this something worse? Verso.
Downloads
Publicado
Edição
Seção
Licença

Este trabalho está licenciado sob uma licença Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Autores que publicam nesta revista concordam com os seguintes termos:
- Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob a Licença Creative Commons Attribution (CC BY-NC-SA 4.0) que permite o compartilhamento do trabalho com reconhecimento da autoria e publicação inicial nesta revista para fins não comerciais.
- Autores têm autorização para assumir contratos adicionais separadamente, para distribuição não-exclusiva da versão do trabalho publicada nesta revista (ex.: publicar em repositório institucional ou como capítulo de livro), com reconhecimento de autoria e publicação inicial nesta revista.