Dialectical Images

Media and Consciousness in The Arcades Project of Walter Benjamin

Autores/as

DOI:

https://doi.org/10.11606/issn.1982-8160.v11i3p115-127

Palabras clave:

Media, consciousness, self, time, knowledge

Resumen

This paper aims at investigating the textual relations that link media and consciousness in The Arcades Project of Walter Benjamin. The paper builds-up a constellation of terms (history, nature, time, media, myth, habits, attention and distraction), a plot of motifs that composes an organic pattern and provide a problematic image of the self.

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Biografía del autor/a

  • Antonio Rafele, Centre d'Études sur l'Actuel et le QuotidienUniversité Paris Descartes La Sorbonne
    PhD in Sociology, researcher of Centre d’Études sur l’Actuel et le Quotidien (CEAQ) Université Paris Descartes La Sorbonne.

Referencias

BENJAMIN, W. Passagens. Belo Horizonte: Universidade Federal de Minas Gerais; São Paulo: Imprensa Oficial do Estado de São Paulo, 2007.

_______. A tarefa do tradutor. Tradução Maria Filomena Molder. [19--]. 13 p. Disponível em: <https://goo.gl/SRoZtj>. Acesso em: 10 nov. 2017.

KIERKEGAARD, S. O conceito de angústia. Tradução João Lopes Alves. Lisboa: Editora Presença 1962.

Publicado

2017-12-27

Número

Sección

Em Pauta/Agenda

Cómo citar

Rafele, A. (2017). Dialectical Images: Media and Consciousness in The Arcades Project of Walter Benjamin. MATRIZes, 11(3), 115-127. https://doi.org/10.11606/issn.1982-8160.v11i3p115-127