Imaginários institucionais: ficção seriada televisiva e o imperialismo cultural estadunidense
DOI :
https://doi.org/10.11606/issn.1982-8160.v20i1p65-88Mots-clés :
Séries televisivas, imperialismo cultural, soft power, instituições ficcionais, construção social da realidadeRésumé
Este artigo analisa o papel das séries televisivas institucionais estadunidenses, especialmente as médicas, como ferramentas de soft power. Sob perspectivas construtivista e de imperialismo cultural, o estudo argumenta que essas produções moldam percepções globais sobre instituições dos EUA, difundindo ideais e imaginários. Elas fortalecem a autoridade, historicizam práticas e exaltam virtudes das instituições estadunidenses. Destaca-se a participação ativa de entidades reais na regulação dessas narrativas ficcionais, ressaltando sua relevância na projeção cultural dos EUA. Conclui-se que as séries institucionais conectam o público a estruturas sociais complexas, exercendo papel fundamental na diplomacia cultural contemporânea.
Téléchargements
Références
Adoni, H., & Mane, S. (1984). Media and the social construction of reality: Toward an integration of theory and research. Communication Research, 11(3), 323–340. https://doi.org/10.1177/009365084011003001
Albuquerque, A., & Meimaridis, M. (2016). Dissecando fórmulas narrativas: Drama profissional e melodrama nas séries médicas. Fronteiras, 18(2), 158–169. https://doi.org/10.4013/fem.2016.182.05
Ampuja, M., Koivisto, J., & Nordenstreng, K. (2020). Historicizing and theorizing media and cultural imperialism. In O. Boyd-Barrett & T. Mirrlees (Eds.), Media imperialism: Continuity and change (pp. 31–44). Rowman & Littlefield.
Andreeva, N. (2016, junho 16). ‘CSI’ lives on, wins most watched drama series award at Monte Carlo TV Festival. Deadline. https://deadline.com/2016/06/csi-big-bang-theory-better-call-saul-monte-carlo-tv-festival-awards-1201774233/
Baczko, B. (1985). A imaginação social. In E. Leach et al. (Ed.), Anthropos-Homem (pp. 296–332). Imprensa Nacional.
Berger, P. L., & Luckmann, T. (1966). The social construction of reality: A treatise in the sociology of knowledge. Doubleday.
Boggs, C. (2017). The Hollywood war machine: US militarism and popular culture. Routledge.
Boyd-Barrett, O. (2015). Media imperialism. Sage.
Brooks, E. (2006). Cultural imperialism vs. cultural protectionism: Hollywood’s response to UNESCO efforts to promote cultural diversity. Journal of International Business and Law, 5(1), 112–136.
Cambra-Badii, I., Guardiola, E., & Baños, J. E. (2020). From Marcus Welby, MD to The Resident: The changing portrayal of physicians in TV medical dramas. Revista de Medicina y Cine, 16(2), 91–109. https://doi.org/10.14201/rmc202016287102
Cavender, G., Bond-Maupin, L., & Jurik, N. C. (1999). The construction of gender in reality crime TV. Gender & Society, 13(5), 643–663. https://doi.org/10.1177/089124399013005005
Cople, J., & Queiroga, L. (2017, junho 1). Jovem que se disse “formado” por Grey’s Anatomy é preso ao se passar por médico. Extra. https://extra.globo.com/casos-de-policia/jovem-que-se-disse-formado-por-greys-anatomy-preso-ao-se-passar-por-medico-21422967.html
Couldry, N., & Hepp, A. (2018). The mediated construction of reality. John Wiley & Sons.
Daniel, J. F., III, & Musgrave, P. (2017). Synthetic experiences: How popular culture matters for images of international relations. International Studies Quarterly, 61(3), 503–516. https://doi.org/10.1093/isq/sqx053
Davin, S. (2004). Healthy viewing: The reception of medical narratives. In C. Seale (Ed.), Health and the media (pp. 143–159). Blackwell.
DeFleur, M. L. (1964). Occupational roles as portrayed on television. Public Opinion Quarterly, 28(1), 57–74. https://doi.org/10.1086/267221
Fattor, E. (2014). American empire and the arsenal of entertainment: Soft power and cultural weaponization. Palgrave Macmillan.
Fejes, F. (1981). Media imperialism: An assessment. Media, Culture & Society, 3(3), 281–289. https://doi.org/10.1177/016344378100300306
Flew, T. (2021). The global trust deficit disorder: A communications perspective on trust in the time of global pandemics. Journal of Communication, 71(2), 163–186. https://doi.org/10.1093/joc/jqab006
Foss, K. A. (2011). “When we make mistakes, people die!”: Constructions of responsibility for medical errors in televised medical dramas, 1994–2007. Communication Quarterly, 59(4), 484–506. https://doi.org/10.1080/01463373.2011.597350
Foss, K. A. (2014). From Welby to McDreamy: What TV teaches us about doctors, patients, and the health care system. In D. A. Macey, K. M. Ryan, & N. J. Springer (Eds.), How television shapes our worldview (pp. 227–246). Lexington Books.
Giddens, A. (1991). As consequências da modernidade. Unesp.
Gitlin, T. (1979). The televised professional. In F. Riessman, A. Gartner, & C. Greer (Eds.), Consumer education in the human services (pp. 198–207). Pergamon.
Glancy, M. (2014). Hollywood and the Americanization of Britain: From the 1920s to the present. I. B. Tauris.
Hartmann, M. (2012, setembro 19). Hillary Clinton: Myanmar parliament learned democracy from The West Wing. Intelligencer. https://nymag.com/intelligencer/2012/09/clinton-burma-learned-democracy-from-west-wing.html
Herman, E. S., & McChesney, R. W. (1997). The global media: The new missionaries of corporate capitalism. Cassell.
Hether, H. J., Huang, G. C., Beck, V., Murphy, S. T., & Valente, T. W. (2008). Entertainment-education in a media-saturated environment. Journal of Health Communication, 13(8), 808–823. https://doi.org/10.1080/10810730802487471
Hoskins, C., & Mirus, R. (1988). Reasons for the US dominance of the international trade in television programmes. Media, Culture & Society, 10(4), 499–515. https://doi.org/10.1177/016344388010004006
Hunter, K. M. (1991). Doctors’ stories: The narrative structure of medical knowledge. Princeton University Press.
Hwang, H., & Höllerer, M. A. (2020). The COVID-19 crisis and its consequences. The Journal of Applied Behavioral Science, 56(3), 294–300. https://doi.org/10.1177/0021886320936841
Imre, A. (2009). Gender and quality television. Feminist Media Studies, 9(4), 391–407. https://doi.org/10.1080/14680770903232987
Jenkins, T. (2016). The CIA in Hollywood: How the agency shapes film and television. University of Texas Press.
Kim, Y. (2020). The invention of the Mideu. Media, Culture & Society, 42(1), 109–125. https://doi.org/10.1177/0163443719846611
Koppl, R. (2010). The social construction of expertise. Society, 47(3), 220–226. https://doi.org/10.1007/s12115-010-9313-7
Latham, M. E. (2011). The right kind of revolution. Cornell University Press.
Lee, K. (2008). “The Little State Department”. Northwestern Journal of International Law & Business, 28(2), 371–397.
Lotz, A. D., & Lobato, R. (Eds.). (2023). Streaming video: Storytelling across borders. NYU Press.
Mazur, D. (2023). Coreia do Sul e a Hallyu: Uma globalização alternativa no mundo multipolar [Tese de doutorado, Universidade Federal Fluminense].
Mazur, D., Meimaridis, M., & Albuquerque, A. (2019). An Eastern perspective on Western dramas. In P. Y. Park & A. G. Lee (Eds.), The rise of K-dramas (pp. 173–192). McFarland.
Meimaridis, M. (2018). “Herói ou humano?” RECIIS, 12(1), 101–114. https://doi.org/10.29397/reciis.v12i1.1333
Meimaridis, M. (2023). Séries de conforto. Appris.
Mirrlees, T. (2013). Global entertainment media. Routledge.
Mittell, J. (2004). Genre and television. Routledge.
Monk-Payton, B. (2024). “How to save a life”. Television & New Media, 25(6), 545–557. https://doi.org/10.1177/15274764241251756
Moran, A. (1998). Copycat television. University of Luton Press.
Nye, J. S. (1990). Bound to lead. Basic Books.
Nye, J. S. (2004). Soft power and American foreign policy. Political Science Quarterly, 119(2), 255–270.
Pescatore, G. (2023). Why medical drama? In S. Antonioni & M. Rocchi (Eds.), Investigating medical drama TV series (pp. 7–18). Media Mutations.
Pişcărac, D. (2016). Medical K-dramas. Romanian Journal of Sociological Studies, 1, 43–60.
Reis, V., & Magalhães, B. (2019, agosto 31). Fã de Grey’s Anatomy dá alta a dois pacientes e é detido na Santa Casa de SP. G1. https://g1.globo.com/sp/sao-paulo/noticia/2019/08/31/fa-de-greys-anatomy-da-alta-a-dois-pacientes-e-e-detido-na-santa-casa-de-sp.ghtml
Robb, D. L. (2004). Operation Hollywood. Prometheus Books.
Robbers, M. L. (2008). Blinded by science. Criminal Justice Policy Review, 19(1), 84–102. https://doi.org/10.1177/0887403407305982
Roman, N., Beasley, B. A., & Parmelee, J. H. (2022). From fiction to reality. European Journal of Communication, 37(1), 48–62. https://doi.org/10.1177/02673231211012172
Segrave, K. (1998). American television abroad. McFarland.
Schiller, H. I. (1969). Mass communication and American empire. A. M. Kelley.
Schlesinger, P., Tumber, H., & Murdock, G. (1991). The media politics of crime and criminal justice. British Journal of Sociology, 42(3), 397–420.
Schneider, M. (2024, maio 29). 100 most-watched TV series of 2023–24. Variety. https://variety.com/2023/tv/news/most-popular-tv-shows-highest-rated-2022-2023-season-yellowstone-football-1235623612/
Silverstone, R. (1980). The television message as social object [PhD thesis, London School of Economics and Political Science].
Silverstone, R. (1994). Television and everyday life. Routledge.
Sisson, G., Walter, N., Herold, S., & Brooks, J. J. (2021). Prime-time abortion on Grey’s Anatomy. Perspectives on Sexual and Reproductive Health, 53(1–2), 13–22. https://doi.org/10.1363/psrh.12183
Strauman, E., & Goodier, B. C. (2011). The doctor(s) in house. Journal of Medical Humanities, 32(1), 31–46. https://doi.org/10.1007/s10912-010-9124-2
Tolson, A. (2001). Talking about talk. In A. Tolson (Ed.), Television talk shows (pp. 15–38). Routledge.
Tota, A. P. (2009). The seduction of Brazil. University of Texas Press.
Turow, J. (1996). Television entertainment and the US health-care debate. The Lancet, 347(9010), 1240–1243. https://doi.org/10.1016/s0140-6736(96)90747-3
Turow, J. (2010). Playing doctor. University of Michigan Press.
Turow, J., & Gans-Boriskin, R. (2007). From expert in action to existential angst. In L. Reagan, N. Tomes, & P. Treichler (Eds.), Medicine’s moving pictures (pp. 262–281). University of Rochester Press.
Van Elteren, M. (2006). Americanism and Americanization. McFarland.
Wiener, J. H. (2011). The Americanization of the British press, 1830s–1914. Palgrave Macmillan.
Yarrow, A. L. (2009). Selling a new vision of America to the world. Journal of Cold War Studies, 11(4), 3–45. https://doi.org/10.1162/jcws.2009.11.4.3
Yesil, B. (2015). Transnationalization of Turkish dramas. Global Media and Communication, 11(1), 43–60. https://doi.org/10.1177/1742766515573274
Téléchargements
Publiée
Numéro
Rubrique
Licence

Ce travail est disponible sous licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International.
Les auteurs qui publient dans ce journal acceptent les termes suivants:
- Les auteurs conservent le droit d'auteur et accordent à la revue le droit de première publication, le travail étant concédé simultanément sous la licence Creative Commons Attribution (CC BY-NC-SA 4.0) qui permet le partage de l'œuvre avec reconnaissance de la paternité et de la publication initiale dans cette revue à des fins non commerciales.
- Les auteurs sont autorisés à assumer des contrats supplémentaires séparément, pour une distribution non exclusive de la version de l'ouvrage publiée dans cette revue (par exemple, publication dans un référentiel institutionnel ou en tant que chapitre de livre), avec reconnaissance de la paternité et de la publication initiale dans cette revue.



















