Um novo paradigma no campo dos estudos feministas de televisão
DOI:
https://doi.org/10.11606/issn.1982-8160.v20i1p9-20Palavras-chave:
Televisão, feminino, feminismo, história da mídia, mulheres como produtorasResumo
Os anos 2000 testemunharam a emergência, no cenário internacional dos estudos de gênero e dos estudos feministas da mídia, de um crescente corpo de literatura acadêmica que, em contraposição à invisibilidade à qual a historiografia convencional da mídia relega a presença feminina, busca reconhecer e valorizar o trabalho e o papel crucial das mulheres na história dos próprios meios de comunicação. Situada na interseção entre abordagens biográficas, historiográficas e os estudos da indústria midiática, essa produção se afasta do mainstream dos estudos de gênero e mídia ao direcionar a pesquisa e a análise não apenas — ou não exclusivamente — para a exclusão e a marginalização das mulheres nos aparatos de produção, mas também para a presença, desde as origens, de figuras femininas que, na tela ou nos bastidores, acima ou abaixo da linha (above ou below the line), individual ou coletivamente, contribuíram de forma substancial para a construção de uma história da qual foram posteriormente apagadas. O presente artigo
reconstrói esse percurso.
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