The gaps of a strange fruit: comics and belonging in Andei por entre as frestas e te trouxe flores, pedras e algumas miudezas, by Paulo Crumbim
DOI:
https://doi.org/10.11606/2316-9877.Dossie.2024.e230822Keywords:
Paulo Crumbim (author), Metalanguage, Comics language, Comics - BrazilAbstract
It aims to analyze the work Andei por entre as frestas e te trouxe flores pedras e algumas miudezas, by Paulo Crumbim from the perspective of non-specificity, that is, the development of a narrative that explores unusual paths for language. Based on studies in the field of sequential art, especially by authors such as Barbara Postema, Thierry Groesteen,Wolfgang Iser and Paulo Ramos a basis for comic books was built to recognize what makes this work singularly strange in its composition method. The use of gaps in the text within this work amplifies how switching generally happens to the reader, making this comic a decentralized work, a concept explored by Florencia Garramuño and which served to synthesize the driving force created in this narrative that is so important for contemporary Brazilian comics.
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CRUMBIM, Paulo. Andei por entre as frestas e te trouxe flores pedras e algumas miudezas. São Paulo: Editora Mino, 2022.
ECO, Umberto. Tratado geral de semiótica. São Paulo: Perspectiva, 2009.
GARRAMUÑO, Florencia. Frutos estranhos: sobre a inespecificidade na estética contemporânea. Rio de Janeiro: Rocco, 2014.
GROENSTEEN, Thierry. O sistema dos quadrinhos. Nova Iguaçu: Marsupial Editora, 2015.
ISER, Wolfgang. A interação do texto com o leitor. In.: JAUSS, H. R. et all. A literatura e o leitor: textos de estética da recepção. Rio de Janeiro: Paz e Terra, 1979. p.83-132.
POSTEMA, Barbara. Estrutura narrativa dos quadrinhos: construindo sentido a partir de fragmentos. São Paulo: Peirópolis, 2018.
RAMOS, Paulo. A leitura dos quadrinhos. 2. ed. São Paulo: Contexto, 2020.
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