El impacto de la música en la cinemática angular durante la carrera en corredores recreativos: un análisis funcional
DOI:
https://doi.org/10.11606/issn.1981-4690.2026e40241914Palabras clave:
Análisis tridimensional, Biomecánica, Ejercicio aeróbico, Rendimiento físico, CanciónResumen
Este estudio investigó la influencia de la música en la cinemática angular tridimensional de la cadera, la rodilla y el tobillo durante la carrera en cinta en corredores recreativos, utilizando Análisis de Datos Funcionales. Dieciséis corredores recreativos (ocho hombres y ocho mujeres) completaron dos sesiones de carrera en cinta de 30 minutos a una velocidad de 10 km/h, con y sin música, en un orden aleatorio. Se analizaron diez ciclos consecutivos por participante en cada condición, a partir de datos cinemáticos tridimensionales (240 Hz) procesados mediante funciones B-spline. Se aplicaron pruebas t funcionales (α = 0,05) para comparar las curvas entre condiciones. No se encontraron diferencias significativas entre condiciones para las articulaciones de la cadera y la rodilla, ni para el tobillo en los planos sagital y transversal. Sin embargo, en el plano frontal, la condición con música mostró una mayor eversión del tobillo en porciones específicas del ciclo de la marcha, particularmente durante la fase de apoyo. Estos resultados indican que la música ejerce una influencia localizada en la biomecánica de la carrera, aumentando la eversión del tobillo en el plano frontal sin alterar la cinemática global de los miembros inferiores. Por lo tanto, la música puede utilizarse como un recurso motivacional por parte de los corredores recreativos sin comprometer la técnica de carrera a una intensidad moderada, aunque se recomienda precaución en individuos con antecedentes de inestabilidad del tobillo.
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