Finding the Way: Films Found on a Scrap Head
DOI:
https://doi.org/10.11606/issn.2316-4077.v3i5p42-53Keywords:
Found footage, Found objects, Archival filmmakingAbstract
Some filmmakers restrict their manipulations of found footage to the minimal act of presenting a film they have discovered with almost no changes. But others have subjected found footage to extensive editing, chemical manipulation, rephotography, or new soundtracks (or all of these processes combined). In this brief essay I cannot hope to cover all the permutations of this rich genre of experimental film, nor to mention all of its numerous practitioners (and I will deal with the visual image more than sound). However, I do want to give a sense of the range of approaches that exist using found footage to mention a few of its masters.
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CAMPER, Fred. Reverence: The Films of Owen Land, Program One, in Chicago Reader, 2 August 2010.
CHERCHI USAI, Paolo. Death of Cinema: History , Cultural Memory and he Digital Dark Age. London: British Film Institute, 2008.
GUNNING, Tom. “From Fossils of Time to a Cinematic Genesis. Gustav Deutsch’s Film ist”. In: BRAININ-‐DONNENBERG, Wilbirg; LOEBENSTEIN, Michael (ed.). Gustav Deutsch. Vienna: Filmmuseum Synema Publications, 2009, p. 163-‐180.
LEROI-‐GOURHAN, André. Gesture and Speech. Cambridge, MA/ London: MIT Press, 1993.
MULVEY, Laura. Death 24 X a Second: Stillness and the Moving Image. London: Reaktion Press, 2006
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