Finding the Way: Films Found on a Scrap Head

Authors

DOI:

https://doi.org/10.11606/issn.2316-4077.v3i5p42-53

Keywords:

Found footage, Found objects, Archival filmmaking

Abstract

Some filmmakers restrict their manipulations of found footage to the minimal act of presenting a film they have discovered with almost no changes. But others have subjected found footage to extensive editing, chemical manipulation, rephotography, or new soundtracks (or all of these processes combined). In this brief essay I cannot hope to cover all the permutations of this rich genre of experimental film, nor to mention all of its numerous practitioners (and I will deal with the visual image more than sound). However, I do want to give a sense of the range of approaches that exist using found footage to mention a few of its masters.

Author Biography

  • Tom Gunning, University of Chicago

    Distinguished Service Professor in the Department on Cinema and Media at the University of Chicago, and author of D.W. Griffith and the Origins of American Narrative Film (University of Illinois Press), The Films of Fritz Lang; Allegories of Vision and Modernity (British Film Institute), and over a hundred and fifty articles.

References

BRETON, Andre. Mad Love. Lincoln: University of Nebraska Press, 1987.

CAMPER, Fred. Reverence: The Films of Owen Land, Program One, in Chicago Reader, 2 August 2010.

CHERCHI USAI, Paolo. Death of Cinema: History , Cultural Memory and he Digital Dark Age. London: British Film Institute, 2008.

GUNNING, Tom. “From Fossils of Time to a Cinematic Genesis. Gustav Deutsch’s Film ist”. In: BRAININ-­‐DONNENBERG, Wilbirg; LOEBENSTEIN, Michael (ed.). Gustav Deutsch. Vienna: Filmmuseum Synema Publications, 2009, p. 163-­‐180.

LEROI-­‐GOURHAN, André. Gesture and Speech. Cambridge, MA/ London: MIT Press, 1993.

MULVEY, Laura. Death 24 X a Second: Stillness and the Moving Image. London: Reaktion Press, 2006

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Published

2014-06-20