Found Footage: Some Thoughts

Authors

  • Malcolm Le Grice Sem registro de afiliação

DOI:

https://doi.org/10.11606/issn.2316-4077.v3i5p54-59

Keywords:

Found footage, Malcolm Le Grice, Estética, Ética

Abstract

So, again in retrospect, what did I (intuitively) want or demand from the found film material? Firstly I sought a quality of mystery about an image - what I now talk about as a ‘latency’ – finding some aspect of the sequence that was not seen or intentionally put there by the original cinematographer and that, when re-combined in a different context, opened up new and surprising meanings.

Author Biography

  • Malcolm Le Grice, Sem registro de afiliação

    Born 15 May 1940, has exhibited internationally including Fondacion Joan Miro, Barcelona; the Louvre Paris; and Tate Modern and Tate Britain. His work is in collections including the Centre Georges Pompidou; the British Film Institute; and the Royal Belgian Film Archive. He has published extensively including ‘Abstract Film and Beyond’ and ‘Experimental Cinema in the Digital Age’.

References

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Published

2014-06-05

Issue

Vol. 3 No. 5 (2014): Dossiê Found Footage I

Section

Artigos

License

Copyright (c) 2014 Malcolm Le Grice

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.