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Vol. 26 No. 1 (2026): Thematic Dossier – (Re)Orchestrating: Interdisciplinary Perspectives on Symphonic Music

View Vol. 26 No. 1 (2026): Thematic Dossier – (Re)Orchestrating: Interdisciplinary Perspectives on Symphonic Music

Dossiê Temático - (Re)Orquestrar: perspectivas interdisciplinares sobre música sinfônica

Editores convidados:

Fábio Cury, Universidade de São Paulo
Lucas Robatto, Universidade Federal da Bahia

Published: 2026-07-31

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Apresentação

(Re)Orchestrating: Interdisciplinary Perspectives on Symphonic Music

Fábio Cury, Lucas Robatto

i-xiv
- PDF (Portuguese (Brazil))

Articles

Orchestra and audience: on the flow of artistic capital in live concerts

Jorge Augusto Scheffer

1-25
- PDF (Portuguese (Brazil))
Programming in search of "international standard": the nationalities of composers and the canon in works performed by OSESP (2000–2009)

João Batista Brito Cruz

27-48
- PDF (Portuguese (Brazil))
Contemporary Brazilian orchestral music in Minas Gerais orchestras: analysis of premieres and curation

Michel Curi e Silva Júnior, Igor Leão Maia

49-68
- PDF (Portuguese (Brazil))
From differentiation to homogenization? Institutional isomorphisms in Brazilian symphony orchestras

Júlia Donley

69-95
- PDF (Portuguese (Brazil))
The Petrobras Symphony Orchestra: the path to self-management

Ariane Isabel Petri, Fernando Ernesto Lopes Pereira

97-115
- PDF (Portuguese (Brazil))
Filarmônica UFRN as a hybrid model: musical training, public mediation, and institutional sustainability in Brazilian university orchestras

Andre Luiz Muniz Oliveira, Fernanda Cristina da Costa Ferreira

117-140
- PDF (Portuguese (Brazil))
The meanings of success in the orchestral career

Mariana Bergsten Mendes Felix, Tania Casado

141-152
- PDF (Portuguese (Brazil))
Beyond “Music as salvation”: DEI Policies in Brazilian Orchestral Education and Professionalization

Giullia Assmann Knothe

153-168
- PDF (Portuguese (Brazil))
“What the hell does this band play?”: a survey of the musical repertoire of the São Paulo State ‘Força Pública’ Band in the first half of the 20^th century

José Roberto dos Santos, Diósnio Machado Neto

169-207
- PDF (Portuguese (Brazil))
Who Owns the Orchestra? Institutions, Networks, and Naming Practices in São Paulo’s Music Scene (1913–1949)

Breno Ampáro, Raíssa Monteiro Santos, Renato Pereira Torres Borges, Paulo Castagna

209-233
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Ensaios

What Musical Experience Are We Creating? From Programming to Experience: Artistic Direction, Musical Dramaturgy, and the Construction of Meaning in Musical Practice

Abel Rocha

235-250
- PDF (Portuguese (Brazil))

Relatos Institucionais

Orquestra Acadêmica da UFJF: Culture, Teaching, Research, and Extension within the University Environment

Raquel Rohr, Eliézer Anderson Batista Isidoro, Bruna Caroline de Souza Berbert

251-268
- PDF (Portuguese (Brazil))
The Eca Chamber Orchestra: transversality in musical prectice

Ricardo de Figueiredo Bologna, Yuri Sizuo Kimizuka

269-276
- PDF (Portuguese (Brazil))
The Orquestra Sinfônica do Conservatório de Tatuí: current structure and guiding principles

Claudia Maradei Freixedas, Emmanuele Baldini

277-287
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Entrevista

Who Builds the Orchestra? Women, Memory, and Cultural Management in Claudia Toni’s Career

Liliana Rolfsen Petrilli Segnini

289-306
- PDF (Portuguese (Brazil))
Osesp, 70 years of orchestra, 20 years of foundation, and 40 years of experience – Interview with Marcelo Lopes

Renata Lipia Lima

307-325
- PDF (Portuguese (Brazil))
Osesp’s Programming in the 2010s: An Interview With Arthur Nestrovski

Paulo Cerruti de Arruda Sampaio

327-340
- PDF (Portuguese (Brazil))

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