"A Superabundance of Music": Reflections on Vienna, Italy and German Opera, 1912-1918
DOI:
https://doi.org/10.11606/rm.v5i1.55069Resumo
In the decade 1912-22, the rising stars of Gernan opera were both Austrians: Franz Schreker, born in 1878, and the very young Erich Korngold, born in 1897. It is Christopher Hailey's new biographical study of Schreker which prompts this essay. I shall be looking here at a group of works that belong to the dying years of the "Italian Renaissance" or "Renaissanceism" boom on the German stage, a fashion dating back to the 1870s.
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Ernst Krause: Richard Strauss: The Man and his work. Collet, London 1964, p.299.
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Michael Kennedyin Strauss(J.M. Dent London 1974), pp. 157-8 and in a 1993 BBC broadcast, referring to the 1916 version.
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The text of Die gluckliche Hand first appeared in Der Merker 1911. Repr. in Jelena Hahl-Koch tr & ed Arnold Schoenberg/Wassily Kandinsky: Letters.Pictures, Documents. Faber 1984, pp. 91-98.
Pfitzner had conceived the Palestrina idea as early as 1895, when he was only
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Pfitzner'smain sources were A.W. Ambros' Geschichte derMusikt 1878) and the histories of the Council of Trent by Sarpi and Pallavicini.
Tr. Anthony Beaumont in Busoni the Composer, Faber 1985. Beaumont has also set out, for the first time, the full chronology of Doktor Faust 's composition, from September 1916 to May 1923. Ibid. pp. 325-327.
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