Archives
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Thematic dossier: Reverberations of sound in other arts - permeable narratives
Vol. 25 No. 1 (2025)In this dossier, we find works that point to the collaboration, knowledge, and interconnections that arise from the integration of the arts, with a focus on the transformations of sounds in these processes. The possibilities are endless, and the articles in this volume bring diverse contributions, encompassing conceptual, historical, formative, and artistic transformations that arise from these conversations.
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Vol. 24 No. 2 (2024)
This issue features several articles on different aspects of Brazilian musical culture, addressing topics such as capoeira, samba, carnival, the culture of cocos, and bumba meu boi. This section is complemented by an analysis of fan clubs' projecting the popularity of an artist.
The second section consists of four texts focused on composition. Two of the articles reflect on the practice of contemporary creation. Next, two other texts promote a musicological approach to the field. The first addresses the issue of rhetoric and theology in Bach's music, while the second puts Villa-Lobos's production into perspective. Closing this issue, we have an intriguing interview with Aylton Escobar, one of his generation's most creative Brazilian musicians. -
Dossiê Temático: Pesquisa em canto coral na atualidade
Vol. 23 No. 1 (2023)This Thematic Dossier “Research in choral singing today”, brings the results of research that reflect the current strands of research in choral singing. The dossier is part of celebrating 50 years of choral activity at the Department of Music at the School of Communications and Arts at the University of São Paulo.
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Vol. 22 No. 2 (2022)
Nesta edição publicamos 10 trabalhos sobre temas variados que vão da educação musical às práticas de arte sonora, da música produzida na Inglaterra elisabetana ao processo composicional da compositora brasileira Tatiana Catanzaro.
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Ciclo 22: o Bicentenário da Independência e o centenário da Semana de Arte Moderna, músicas e músicos no Brasil.
Vol. 22 No. 1 (2022)Thematic dossier - Cycle 22: the Bicentennial of Independence and the centenary of the Week of Modern Art, music and musicians in Brazil.
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Dossiê: O legado musical de Arnold Schoenberg e seus reflexos na América Latina: 1951-2021
Vol. 21 No. 2 (2021)Guest editors: Amilcar Zani, Heloisa Zani and Eliana Monteiro da Silva.
The reflections of the paradigm shift proposed by Schoenberg and varied, ornamentally or progressively (in the sense of potentializing new directions), by Latin American composers, are the focus of the Dossier in this edition of Revista Música. 70 years after the death of the creator of the dodecaphonic technique, we invite the musical community, academic and/or interested in the subject to send articles, book reviews, interviews, among others, for this thematic dossier.
The v. 21 n. 2 also presents six works with a free theme, focused on music and its intersections.
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Dossier: Music in Quarantine; Dossier: International Meeting of Music Theory and Analysis - 10 Years
Vol. 21 No. 1 (2021)The v. 21 n. 1 (July 2021) of Revista Música presents the second part of the Dossier "Music in Quarantine", with reports from researchers on musical activities during the COVID-19 pandemic; the coordination fell to the invited editors, Profa. Dr. Magali Kleber (UEL), Prof. Dr. Luciane Cuervo (UFRGS), Prof. Dr. Sonia Ray (UFG) and Profa. Dr. Luciane Garbosa (UFSM). A second Dossier celebrates 10 years of the International Meeting of Music Theory and Analysis, coordinated by Profa. Dr. Adriana Lopes Moreira (USP), our invited editor. In addition, we also have five articles with free themes, by researchers from several Brazilian universities.
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Quarantined Music Dossier
Vol. 20 No. 2 (2020)In addition to the works received with free themes, v. 20 n. 2 from Revista Música presents the dossier “Music in quarantine”, which gathers articles and reports selected by the invited publishers, with reflections and experiences of musicians and music teachers, regarding the musical activities (pedagogical, artistic, and therapeutic) carried out during the quarantine decreed since March 2020 (in Brazil), when face-to-face classes and musical performances were banned because of measures to contain the Coronavirus pandemic worldwide. The dossier is divided into three sub-areas of interest: Musical Education, coordinated by Dr. Magali Kleber and Dr. Luciane Garbosa; Musical Performance, coordinated by Dr. Sonia Ray; Musician's health and emotions, coordinated by Dr. Luciane Cuervo. This edition also features two translations of referential texts, "Ethnomusicology" by Jean-Jacques Nattiez and "Sacred and profane in music", by Thrasybulos Georgiades. This volume closes the account of the composer Harry Crowl on the creation of his string quartet No. 3, with SATB choir, "Corona", a musical reflection on the pandemic and its human impact. Contributions are from researchers from different regions of Brazil and abroad.
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Dossiê Sonologia
Vol. 20 No. 1 (2020)The July 2020 edition of Revista Música (v. 20 n. 1) is divided into two parts: the first presents 9 papers in various areas of research in Music: Performance, Music Education, Musicology, Ethnomusicology, and Musical Analysis. The second part is dedicated to the Sonology Dossier, coordinated by Prof. Dr. Fernando Iazzetta, containing 10 papers on interaction between human beings and technological devices in the production, storage, and transmission of sounds. Also noteworthy is the interview with the pianist Sônia Rubinsky, a renowned interpreter of the music of Heitor Villa-Lobos, telling aspects of his musical formation and discussing the interpretation of Ernesto Nazareth's piano pieces.
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Thematic dossier: Claudio Santoro and Heitor Villa-Lobos
Vol. 19 No. 2 (2019)In 2019, Revista Música honors Heitor Villa-Lobos (1887-1959) for 60 years of his death and celebrates 100 years of birth of Claudio Santoro (1919-1989). They both are exponents of Brazilian concert music in the twentieth century.,
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Bicentenary of Clara Schumann (1819-2019), a reflection on the performance and visibility of women in music
Vol. 19 No. 1 (2019)Editora Convidada: Eliana Monteiro da Silva
Inspirada pelo bicentenário de Clara Schumann, por pesquisas como a realizada por Ashley Fure em 2016 para comemorar os 70 anos dos Cursos de Férias de Darmstadt, na Alemanha - em que foi quantificada a presença de mulheres em diversas áreas do evento nas edições anuais[5] -, por encontros temáticos como “Seminário Internacional Fazendo Gênero 11 & 13º Women’s Worlds Congress” (2017), “III Coloquio Ibermúsicas sobre investigación musical: Música y mujer en Iberoamerica” (2017), “Simpósio A produção musical e sonora de mulheres: reflexões sobre processos e práticas a partir de uma perspectiva decolonial” (ANPPOM, 2018), entre outros, bem como pela atuação de grupos militantes pela maior visibilidade da mulher na música, tais como rede “Sonora - músicas e feminismos”, “Asociación mujeres en la música”, “Feminoise Latinoamérica”, para citar alguns, a Revista Música convida pesquisadoras e pesquisadores a submeter artigos para um dossiê sobre conquistas e dificuldades da mulher na música de concerto da América Latina, estendendo-se às demais formas de apresentação como arte sonora, música eletroacústica, instalações e outras vertentes.
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Poética Musical: séculos XVI, XVII e XVIII
Vol. 18 No. especial (2018)A presente edição da revistamúsica, tem coordenação da editora convidada, Dra. Mônica Lucas. Esta edição especial (posicionada entre as edições regulares: nº1, agosto e nº2, dezembro de 2018) traz textos selecionados apresentados no 8º Encontro de Pesquisadores em Poética Musical dos séculos XVI, XVII e XVIII, realizado na USP de 11 a 14 de setembro de 2017.
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Vol. 18 No. 1 (2018)
A proposta desta edição é apresentar trabalhos das diversas áreas relacionadas à pesquisa em Música. Assim, temos textos nos campos de Teoria e Análise Musical, Composição, Etnomusicologia, Educação Musical, Musicologia histórica e Performance, por pesquisadores de universidades brasileiras e portuguesas.
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