Vol. 22 No. 1 (2022): Ciclo 22: o Bicentenário da Independência e o centenário da Semana de Arte Moderna, músicas e músicos no Brasil.

Thematic dossier - Cycle 22: the Bicentennial of Independence and the centenary of the Week of Modern Art, music and musicians in Brazil.

Published: 2022-08-04

Full Issue

• PDF (Portuguese)

Editorial

• Editorial

  Paulo de Tarso Salles

  ix-x

  • PDF (Portuguese)

  DOI: https://doi.org/10.11606/rm.v22i1.200703

Entrevista

• Teaching and thinking Early Music in the 21st century: an interview with Walter Reiter

  Marcus Held, Walter Reiter

  1-16

  • PDF

  DOI: https://doi.org/10.11606/rm.v22i1.195384

Articles

• The vocal technique and its relationship with the choral repertoire: a survey of the period from 2010 to 2020 and suggestions for vocal exercises

  Maicon Pereira Jacinto, Paulo Celso Moura

  17-48

  • PDF (Portuguese)

  DOI: https://doi.org/10.11606/rm.v22i1.195737

• Cirandas by Heitor Villa-Lobos: an Analysis from the Transtextual Relations of Gérard Genette

  Juliana Wady

  49-70

  • PDF (Portuguese)

  DOI: https://doi.org/10.11606/rm.v22i1.195495

• Graduation's monographic works at the Music´s course at UFRR

  Rafael Ricardo Friesen, Leila Adriana Baptaglin

  71-88

  • PDF (Portuguese)

  DOI: https://doi.org/10.11606/rm.v22i1.194351

• The Ballets Russes as stimulus for Uirapuru, (1917), a ballet by Villa-Lobos and Volúsia

  Jorge Luiz Schroeder, Tatiana Avanço Ribeiro

  89-106

  • PDF (Portuguese)

  DOI: https://doi.org/10.11606/rm.v22i1.198452

• Stimmung , by Karlheinz Stockhausen: improvisation, musical notation, experiences and aesthetic interactions and cultural mediations in the ways of making music under the influence of the East and multiple cultures from the second half of the 20th century

  Diogo Rebel e Carvalho

  107-122

  • PDF (Portuguese)

  DOI: https://doi.org/10.11606/rm.v22i1.194702

• Trembling with joy: the harpsichord as noise in the process of a collaborative creation

  Austeclinio Lopes de Farias, Pedro Ribeiro Cardoso

  123-142

  • PDF (Portuguese)

  DOI: https://doi.org/10.11606/rm.v22i1.199066

• Music and interculturality: A study of the relationship between Vilém Flusser's work and its reception

  Marta Castello Branco

  143-160

  • PDF (Portuguese)

  DOI: https://doi.org/10.11606/rm.v22i1.196008

• Music in wartime: Artists’ social role in the context of II World War in Mário de Andrade and Fernando Lopes-Graça’s writing

  Flávia Camargo Toni, Guilhermina Lopes

  163-194

  • PDF (Portuguese)

  DOI: https://doi.org/10.11606/rm.v22i1.200585