Vol. 23 No. 1 (2023): Dossiê Temático: Pesquisa em canto coral na atualidade

View Vol. 23 No. 1 (2023): Dossiê Temático: Pesquisa em canto coral na atualidade

This Thematic Dossier “Research in choral singing today”, brings the results of research that reflect the current strands of research in choral singing. The dossier is part of celebrating 50 years of choral activity at the Department of Music at the School of Communications and Arts at the University of São Paulo.

Published: 2023-09-01

Full Issue

Apresentação

  • Apresentação do Dossiê Temático: Pesquisa em canto coral na atualidade

    Susana Cecilia Igayara-Souza, Marco Antonio da Silva Ramos, Caiti Hauck, Munir Sabag, Carolina Andrade Oliveira
    I-V
    DOI: https://doi.org/10.11606/rm.v23i1.215623

Dossiê Temático: Música e relações étnico-raciais

  • Sing, sing, my people: a literature review on the children's choir in the annals of ABEM National Congresses

    Klesia Garcia Andrade, Anaide Maria Alves da Paz, Valdiene Carneiro Pereira
    1-36
    DOI: https://doi.org/10.11606/rm.v23i1.212250

  • Construction processes of the website XXX

    Débora Rodrigues Rangel, Eduardo Lackschevitz
    37-53
    DOI: https://doi.org/10.11606/rm.v23i1.212258

  • Choral project in schools: a qualitative study of choral practice in basic education in the State of Espírito Santo

    Marcelo Rodrigues de Oliveira, Michele de Almeida Rosa Rodrigues
    55-68
    DOI: https://doi.org/10.11606/rm.v23i1.212245

  • Choral singing in remote learning: perceptions on the adaptation of the UFPEL Choral Laboratory I discipline during the COVID - 19 pandemic

    Everton Terciote, Daniela da Silva Moreira
    69-119
    DOI: https://doi.org/10.11606/rm.v23i1.212444

  • Difficulty as a criterion for repertoire selection for adult amateur choirs: trends in the literature

    Willsterman Sottani
    121-161
    DOI: https://doi.org/10.11606/rm.v23i1.212187

  • The Importance of self-efficacy in the resilience of elderly choir singers during the pandemic

    Crismarie Casper Hackenberg, Sheila Maria Ogasavara Beggiato, Taís Glauce Fernandes de Lima Pastre, Gilson Brun, Valdomiro de Oliveira, Gislaine Cristina Vagetti
    163-201
    DOI: https://doi.org/10.11606/rm.v23i1.212249

  • Belonging and performance: dialogues between written music and improvisation in choral singing

    Paula Castiglioni
    203-214
    DOI: https://doi.org/10.11606/rm.v23i1.212593

  • Anxiety in Musical Performance: a case study of the choir of the Escola Superior de Educação

    Ana Beatriz Almeida, Aoife Hiney
    215-235
    DOI: https://doi.org/10.11606/rm.v23i1.210905

  • Collective singing and choral music: a study on Mozambican vocal music

    Mauro Albino Muhera, Vladimir Alexandro Pereira Silva
    237-268
    DOI: https://doi.org/10.11606/rm.v23i1.211445

  • Influences of Gustav Holst’s experiences as conductor-educator in his compositional practices for choir

    Luísa Campelo de Freitas
    269-288
    DOI: https://doi.org/10.11606/rm.v23i1.212482

  • The Coral Singing Association and the cultural policies of the Estado Novo regime (1941-1946)

    Rafael Pires Quaresma Caldas
    289-307
    DOI: https://doi.org/10.11606/rm.v23i1.212237

  • Independent choral practice in São Paulo (1960-1979): investigation based on journalistic sources

    Ana Paula dos Anjos Gabriel
    309-325
    DOI: https://doi.org/10.11606/rm.v23i1.212247

  • Dona Nobis Pacem Op. 28, from Lindembergue Cardoso: interpretative analysis for the creation of the piece in remote format

    Denise Castilho de Oliveira Cocareli
    327-369
    DOI: https://doi.org/10.11606/rm.v23i1.212266

Articles

  • Orquestra Popular de Câmara’s “Inverted Babel”: aesthetic project and creative process in Brazilian Popular Instrumental Music

    Paula de Queiroz Carvalho Zimbres
    371-397
    DOI: https://doi.org/10.11606/rm.v23i1.206593

  • Tupã: Brô MC’s indigenous rap as micropolitical performance

    Marta Macedo Brietzke
    399-414
    DOI: https://doi.org/10.11606/rm.v23i1.212212

  • Cegos rabequeiros cantadores of Northeast Brazil: Manifestation of the Blind Poet-Singer and Blind Fiddler Archetypes

    Jorge Linemburg
    415-450
    DOI: https://doi.org/10.11606/rm.v23i1.208018

  • Music and cultural institutions: contributions to an urban musicology in 20th century Blumenau

    Tiago Pereira
    451-474
    DOI: https://doi.org/10.11606/rm.v23i1.212535

  • Everyday sounds on fixed media: space, memory and narrative

    Orlando Scarpa Neto
    475-501
    DOI: https://doi.org/10.11606/rm.v23i1.212040

  • Rhythmic and cultural relations in “Minuano (Six-eight)”, by Pat Metheny

    Luan Augusto Langaro Teixeira
    503-520
    DOI: https://doi.org/10.11606/rm.v23i1.212265

  • On the abundance of things, words and music

    Cassiano de Almeida Barros
    521-535
    DOI: https://doi.org/10.11606/rm.v23i1.209508

  • The use of music in Austrian Jesuit dramas

    Caio Amadatsu Griman
    537-556
    DOI: https://doi.org/10.11606/rm.v23i1.210431

  • Profile of scientific production on music and elderly: a bibliometric review

    Diogo de Souza Mendonça, Gerson Flores-Gomes, Lydio Roberto Silva, Valdomiro de Oliveira, Gislaine Cristina Vagetti
    557-575
    DOI: https://doi.org/10.11606/rm.v23i1.211332

  • Music for Life: well-being and mental health in children stimulated with music education based on active methodologies in religious music study groups

    Ana Mary de Cervantes, Josilene Andrade da Silva, Priscila Medeiros, Renato Leonardo de Freitas
    577-589
    DOI: https://doi.org/10.11606/rm.v23i1.210278

  • Theory Applied to the Guitar, by Othon da Rocha Neves: a comparative analysis

    Frederico Cunha Grünewald Zarantoneli
    591-615
    DOI: https://doi.org/10.11606/rm.v23i1.211300

Tradução

  • Texture and material in contemporary musical thought

    Luigi Brandão, Alejandro Jara; Jean-Yves Bosseur
    617-629
    DOI: https://doi.org/10.11606/rm.v23i1.207375

  • Chapter XVIII of the Second Book of the “Treatise on Harmony Reduced to Its Natural Principles”

    Kleber Mazziero; Jean-Philippe Rameau
    631-645
    DOI: https://doi.org/10.11606/rm.v23i1.212255