Comparative Analysis: Russian Cultural Assimilation and Oswaldian Anthropophagy
DOI:
https://doi.org/10.11606/issn.2317-4765.rus.2026.245662Keywords:
Cultural Anthropophagy, Brazil, Cultural Identity, RussiaAbstract
This article conducts a comparative analysis of identity formation in Brazil and Russia, using Oswald de Andrade's concept of cultural anthropophagy as its theoretical framework. The metaphor of "critical devouring" serves as a heuristic tool to examine how both countries negotiated European cultural hegemony. While in Brazil anthropophagy presents itself as an explicit aesthetic program of resistance, in Russia this logic is implicit, manifested in the tensions between Westernizers and Slavophiles and in modernizing reforms. The aim is to demonstrate that, despite distinct trajectories, both nations faced the common dilemma of assimilating external influences without losing their singularity, operating through cultural processes of adaptation and identity creation.
Downloads
References
BIELÍNSKI, Vissarion. Pensamentos e observações sobre a literatura russa (1846). In: GOMIDE, Bruno Barreto (org.). Antologia do Pensamento Crítico Russo (1802-1901). São Paulo: Editora 34, 2013. 113-146 p.
CÂNDIDO, Weslei Roberto; SILVESTRE, Nelci Alves Coelho. O discurso da antropofagia como estratégia de construção da identidade cultural brasileira. Universidade Estadual de Maringá. Acta Scientiarum. Language and Culture, v. 38, n. 3, 2016, pp. 243-251.
CUSTINE, Astolphe. La Russie En 1839. Bruxelles: Société Belge de Librairie, 1843.
GOMIDE, Bruno Barreto (org.). Antologia do Pensamento Crítico Russo (1802-1901). São Paulo: Editora 34, 2013.
GROSS, I. G. The Tangled Tradition: Custine, Herberstein, Karamzin, and the Critique of Russia. Slavic Review, v. 50, n. 4, p. 989–998, 1991.
HAESBAERT, R. Hibridismo cultural, “antropofagia” identitária e transterritorialidade. In: BARTHE-DELOIZY, F., and SERPA, A., orgs. Visões do Brasil: estudos culturais em Geografia [online]. Salvador: EDUFBA; Edições L'Harmattan, 2012, pp. 27-46.
KARAMZIN, Nikolai. Do amor à pátria e do orgulho nacional (1802). In: GOMIDE, Bruno Barreto (org.). Antologia do Pensamento Crítico Russo (1802-1901). São Paulo: Editora 34, 2013. 27-36 p.
KARAMZIN, Nikolai. Prefácio à História do Estado Russo (1818). In: GOMIDE, Bruno Barreto (org.). Antologia do Pensamento Crítico Russo (1802-1901). São Paulo: Editora 34, 2013. 37-46 p.
KIRIÊIEVSKI, Ivan. Sobre o caráter da ilustração da Europa e sua relação com a ilustração da Rússia (1852). In: GOMIDE, Bruno Barreto (org.). Antologia do Pensamento Crítico Russo (1802-1901). São Paulo: Editora 34, 2013. 187-234 p.
NETTO, Sebastião Leal Ferreira Vargas. Antropofagia cultural: momento do pensamento crítico latino-americano. 17. ed. Universidade Federal do Rio Grande do Norte: Revista Eletrônica da ANPHLAC, 2014. 282-303 p.
PÚCHKIN, Aleksandr. Da insignificância da literatura russa (1834). In: GOMIDE, Bruno Barreto (org.). Antologia do Pensamento Crítico Russo (1802-1901). São Paulo: Editora 34, 2013. 47-56 p.
ZHIVOV, V. M.. Cultural Reforms in Peter I’s System of Transformations. In: USPENSKIĬ, Boris Andreevich; ZHIVOV, Victor M. “Tsar and God” and other essays in Russian cultural semiotics. Boston: Academic Studies Press, 2012. pp. 191-238.
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Giovanni Pereira Pieroni

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Authors who publish in RUS agree to the following terms:
a. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution 4.0 International License (CC BY-NC-SA 4.0) that allows others to share the work with an acknowledgement of the work’s authorship and initial publication in this journal.
b. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal’s published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
c. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).

