THE CUBAN BODY AND ITS PERFORMANCES OF THE KELOID IN THE SPECTACLE ISLAND

Authors

  • Luvel García Leyva University of São Paulo image/svg+xml
  • (Tradução: Hanna Araújo)

DOI:

https://doi.org/10.11606/issn.2238-3867.v14i1p67-75

Keywords:

Keloid`s performance, Memory politic, Performance.

Abstract

The Cuban body, politicized in its acting, is traversed by memory. A species of actual representation of political events that have their roots in the past. A "keloid`s performance” that unveils the scars of the Cubanity and makes possible us to think the physical constitution of their complex social relations. The Performance Studies allows us approach then to the corporeality of Cuban social sceneries that  interweave a multiplicity of differences. It enables us to perceive the mobility of this body in scenes of adequacy, resistance or subversion when facing the dominant logics of outside and inside of Cuba. This is our potential of obedience or revolution.

Downloads

Download data is not yet available.

Author Biography

  • Luvel García Leyva, University of São Paulo
    Pedagogo, crítico e investigador teatral cubano.

References

Published

2014-06-25

How to Cite

García Leyva, L., & Araújo), (Tradução: H. (2014). THE CUBAN BODY AND ITS PERFORMANCES OF THE KELOID IN THE SPECTACLE ISLAND. Sala Preta, 14(1), 67-75. https://doi.org/10.11606/issn.2238-3867.v14i1p67-75