Las rupturas del 68 en el cine de América Latina, edited by Mariano Mestman
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2016.123707Keywords:
Latin-American cinema, 1968, avant-garde cinema, political engagement, Nuevo Cine LatinoamericanoAbstract
Las rupturas del 68 en el cine de América Latina, edited by Mariano Mestman, analyses breaks that affected different cinematographies in Latin American – Argentina, Bolivia, Brazil, Chile, Colombia, Cuba, Mexico and Uruguay – around 1968. This year is considered like a symbol of an “era” characterized by political contestations and avant-garde propositions around the world. Mestman intends to understand how these breaks affect each country, inviting authors from many nationalities to think about the changes in the cinematographies of their countries. The book also brings in its second part three texts about these breaks in a transnational view.Downloads
References
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GILMAN, C. Entre la pluma y el fusil. Debates y dilemas del escritor revolucionario en América Latina. Buenos Aires: Siglo XXI, 2003.
JAMESON, F. Periodizar los 60s. Córdoba: Alción Editora, 1984.
LEÓN FRÍAS, I. El Nuevo Cine Latinoamericano de los Años Sesenta. Entre el mito político y la modernidad fílmica. Lima: Universidad de Lima; Fondo Editorial, 2013.
MESTMAN, Mariano (coord.). Las rupturas del 68 en el cine de América Latina. Buenos Aires: 2016.
OSSA, Carlos. El ojo mecánico: cine político y comunidad en América Latina. Santiago: Fondo de Cultura Económica, 2013.
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