The limits of aesthetic experience
colors and narrative cinema
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.150259Keywords:
Experience, Cinema, Colors, Attention, ExcessAbstract
Narratological studies of audiovisual works often focus their analysis on theoretical abstractions. Sometimes the search for hermeneutical explanation, as Hans Gumbrecht interjects, resembles a semantic exaggeration in which the material basis (images and sounds) is reduced to mere vectors of abstract knowledge, the story. Color appears among the neglected themes, an element customarily foreign to academic analysis. This article proposes that color is strategically allocated with the intention of fostering some degree of aesthetic experience on the spectators. The very presence of color for viewers, however, will be
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Copyright (c) 2019 Wanderley Anchieta
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