O atraso de Duchamp

Authors

  • Gelson Santana Universidade de São Paulo. Escola de Comunicações e Artes

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.1996.90514

Keywords:

Delay, Retard, Now, Belief

Abstract

From a synchronical perspective, Marcel Duchamp’s readymades, produced temporal deformations that nowadays, within its diachronic, are already codified. The determinant point of those deformations was a kind of “estheticism of perception” seen as a sceptical effect paradigm achieved from a parody of photography.

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Author Biography

  • Gelson Santana, Universidade de São Paulo. Escola de Comunicações e Artes
    Pós-graduando em Imagem e Som na Escola de Comunicações e Artes da Universidade de São Paulo

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Published

1996-09-30

Issue

No. 11-12 (1996): Dossiê: Cinema

Section

Articles

License

Copyright (c) 1996 Gelson Santana

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How to Cite

O atraso de Duchamp. (1996). Significação: Journal of Audiovisual Culture, 11-12, 77-90. https://doi.org/10.11606/issn.2316-7114.sig.1996.90514