On the edge of history

analog photography, artists and wrong images

Authors

  • Ludimilla Carvalho Wanderlei Federal University of Pernambuco image/svg+xml

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2019.148839

Keywords:

historiography, analog photography, wrong images

Abstract

This article analyses artworks by Paolo Gioli and Dirceu Maués who use analog media, discussing elastic nature of time and its duration. We try to think about the experimental character of handmade cameras use and the investigation of links among cinema, photography and painting. These image examples, added to artworks of artists against a pure and direct image’s model, longstanding by the “photography form” concept, contribute in contemporaneity to the writing of a particular history of the photographic medium, characterized by an aesthetic of the noises, of the unforeseen, of chaos.

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Author Biography

  • Ludimilla Carvalho Wanderlei, Federal University of Pernambuco

    Doutoranda do Programa de Pós-Graduação em Comunicação da Universidade Federal de Pernambuco (PPGCOM/UFPE) com pesquisa no campo da fotografia. Mestre pelo mesmo programa e graduada em Radialismo e TV pela mesma instituição. Bolsista da Fundação de Amparo à Ciência e Tecnologia do Estado Pernambucano (Facepe). Produtora de audiovisual, roteirista e cineclubista.

References

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Published

2019-07-01

Issue

Vol. 46 No. 52 (2019): Dossiê: História e Audiovisual

Section

Articles

License

Copyright (c) 2019 Ludimilla Carvalho Wanderlei

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How to Cite

Wanderlei, L. C. (2019). On the edge of history: analog photography, artists and wrong images. Significação: Journal of Audiovisual Culture, 46(52). https://doi.org/10.11606/issn.2316-7114.sig.2019.148839