The dialectics logic of cinematic perception
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2013.59956Keywords:
Perception, dialectics, cinematic language.Abstract
The cinema, like the painting and the photography, uses the human being’s property of perceiving parts of images that are out of the picture/screen from parts of the same images that are on the picture/screen, expressing a dialectic between what we see and what we do not see. In the cinema, this dialectic is accomplished through moving images, having achieved a greater development thanks to the invention of the cut and, therefore, of the edition, becoming what we call logic dialectics of cinematic perception, with which we will deal in this text.
Downloads
References
Downloads
Published
Issue
Section
License
Copyright (c) 2013 Vinicius Bandera
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal must agree with the following terms:
- Authors keep their copyrights and grant the journal first time publication rights, having their articles simultaneously licensed under the Creative Commons Attribution License, which allows sharing texts with authorship recognition and first publication on this journal for non-commercial purposes.
- Authors are allowed to make additional contracts, for a non-exclusive distribution of the article’s version published on this journal (e.g.: publishing in institutional repositories of articles or as a book chapter), with authorship recognition and first publication on this journal.
