A figuração pós-moderna: Marta Brum, de Anjos da Noite

Authors

  • Renato Pucci Jr. Universidade de São Paulo. Escola de Comunicações e Artes

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2002.65547

Keywords:

Brazilian cinema, Postmodernism, Camp, Aestheticism, Fake, Game

Abstract

Through the analysis of Marta Brum, character of Anjos da Noite (Wilson Barros, 1987), traits of the so called "postmodern cinema" are exposed. Concepts of Baudrillard and Lyotard are examined in arder to clarify what cinematographic postmodemism is: an aesthetic which questions the reference to the real world and which is driven by the ideas of performance and game. The analyzed movie is one of a number which have followed the same aesthetic in Brazilian cinema since the mid-eighties

Downloads

Download data is not yet available.

References

Downloads

Published

2002-06-25

Issue

Vol. 29 No. 17 (2002)

Section

Articles

License

Copyright (c) 2002 Renato Pucci Jr.

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Authors who publish in this journal must agree with the following terms:

  1. Authors keep their copyrights and grant the journal first time publication rights, having their articles simultaneously licensed under the Creative Commons Attribution License, which allows sharing texts with authorship recognition and first publication on this journal for non-commercial purposes.
  2. Authors are allowed to make additional contracts, for a non-exclusive distribution of the article’s version published on this journal (e.g.: publishing in institutional repositories of articles or as a book chapter), with authorship recognition and first publication on this journal.

How to Cite

Pucci Jr., R. (2002). A figuração pós-moderna: Marta Brum, de Anjos da Noite. Significação: Journal of Audiovisual Culture, 29(17), 95-114. https://doi.org/10.11606/issn.2316-7114.sig.2002.65547