Walter Murch: a revolução da trilha sonora cinematográfica

Authors

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2006.65639

Keywords:

Cinema, Walter Murch, Sound, Sound track, Sound design, Sound editing, Sound effect

Abstract

The study of sound effect tracks developed by Walter Murch during the 70's is the subject ofthis article, with special attention to bis work in The Godfather and Apocalypse Now. It is also my aim to demonstrate, through these films analyzes, Murch's role in the transformation of the north-american fiction films sound design.

Downloads

Download data is not yet available.

References

Downloads

Published

2006-12-23

Issue

Vol. 33 No. 26 (2006)

Section

Articles

License

Copyright (c) 2006 Eduardo Santos Mendes

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Authors who publish in this journal must agree with the following terms:

  1. Authors keep their copyrights and grant the journal first time publication rights, having their articles simultaneously licensed under the Creative Commons Attribution License, which allows sharing texts with authorship recognition and first publication on this journal for non-commercial purposes.
  2. Authors are allowed to make additional contracts, for a non-exclusive distribution of the article’s version published on this journal (e.g.: publishing in institutional repositories of articles or as a book chapter), with authorship recognition and first publication on this journal.

How to Cite

Mendes, E. S. (2006). Walter Murch: a revolução da trilha sonora cinematográfica. Significação: Journal of Audiovisual Culture, 33(26), 187-224. https://doi.org/10.11606/issn.2316-7114.sig.2006.65639