In Pompeii and Volterra the Earth Really Trembles: De- Territorialisation, European Art-Cinema, and the Fate of Neorealism in Roberto Rossellini's Journey to ltaly and Luchino Visconti's Sandra

Authors

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2007.65650

Keywords:

Cinema, Neo-realism, European art-cinema.

Abstract

This paper uses two case studies, Roberto Rossellini 's Voyage to Italy (1953) and Luchino Visconti 's Sandra (1965), to discuss the political, historiographic and aesthetic issues informing the relationship between neo-realism as the cinema ofthe Italian nation and "European art-cinema" as de-nationalized institution.

Downloads

Download data is not yet available.

References

Downloads

Published

2007-06-23

Issue

Vol. 34 No. 27 (2007)

Section

Articles

License

Copyright (c) 2007 Stefano Ciammaroni

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Authors who publish in this journal must agree with the following terms:

  1. Authors keep their copyrights and grant the journal first time publication rights, having their articles simultaneously licensed under the Creative Commons Attribution License, which allows sharing texts with authorship recognition and first publication on this journal for non-commercial purposes.
  2. Authors are allowed to make additional contracts, for a non-exclusive distribution of the article’s version published on this journal (e.g.: publishing in institutional repositories of articles or as a book chapter), with authorship recognition and first publication on this journal.

How to Cite

Ciammaroni, S. (2007). In Pompeii and Volterra the Earth Really Trembles: De- Territorialisation, European Art-Cinema, and the Fate of Neorealism in Roberto Rossellini’s Journey to ltaly and Luchino Visconti’s Sandra. Significação: Journal of Audiovisual Culture, 34(27), 169-179. https://doi.org/10.11606/issn.2316-7114.sig.2007.65650