O bandido à luz das molduras

Authors

  • Geraldo Carlos do Nascimento Universidade Tuiuti do Paraná image/svg+xml

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.1999.90538

Keywords:

Frame, Rhetoric, Cinema

Abstract

This work proposes a reading of Red light banditi, a film by Rogério Sganzerla, departing from a theoretical background created by Groupe p for the analysis of paintings. Although it seems to be uncommon, this approach has the nature of an experimental investigation, and aims, in a first instance, at the study of the unusual rhetorical articulations that can be apprehended in the filmic text within the notion of the frame structure.

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Published

1999-03-30

Issue

No. 13 (1999)

Section

Articles

License

Copyright (c) 1999 Geraldo Carlos do Nascimento

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How to Cite

Nascimento, G. C. do. (1999). O bandido à luz das molduras. Significação: Journal of Audiovisual Culture, 13, 143-161. https://doi.org/10.11606/issn.2316-7114.sig.1999.90538