Vol. 50 (2023)

Presentation

Apresentação

Esther Hamburger, Cecília Mello

1-3
- PDF (Portuguese (Brazil))

Articles

The cyberpunk culture and queer derivations in Brazilian music videos

André Filipe Cecília Malhado

1-19
- PDF (Portuguese (Brazil))
Two by Two, four:temporality, performance,and film essay inThe dreamed ones film

Eduardo Ferraz Felippe

1-19
- PDF (Portuguese (Brazil))
Seas and aquariums: Karim Aïnouz and the waters of displacement

Lucas Soares de Souza, Sandra Fischer

1-26
- PDF (Portuguese (Brazil))
Phasing between the audible and the visible sphere in contemporary cinema: disjunctions in films with voice over

Luíza Beatriz A. M. Alvim

1-21
- PDF (Portuguese (Brazil))
The kitchen on TV: distinction and simulacrum in GNT culinary programs

Nara Lya Cabral Scabin

1-20
- PDF (Portuguese (Brazil))
The epilogue of film censorship in Chile, 1988-2001

Karen Esther Donoso Fritz, Jorge Iturriaga Echeverría

1-18
- PDF (Spanish)
Cannes 1964: marco do engajamento dos críticos franceses ao Cinema Novo

Belisa Figueiró

1-19
- PDF (Portuguese (Brazil))
The names of Júlio Bressane: a play of senses in cinematic conversations

Lennon Macedo, Bruno Leites

1-17
- PDF (Portuguese (Brazil))
For a genesis of latin america essay cinema

Ana Paula de Aquino Caixeta, Laís de Lorenço Teixeira

1-19
- PDF (Portuguese (Brazil))
Targeting assemblages and assembling mirages in photo report: concentration camps in Folha de S.Paulo

Daniel Macêdo

1-20
- PDF (Portuguese (Brazil))
Disruptive masculinity landscapes: on the power of the queer mountain

Daniel Oliveira Silva

1-21
- PDF (Portuguese (Brazil))
Mythical realism in the western: Clint Eastwood’s Unforgiven

Mauro Baptista, Guillermo Giucci

1-20
- PDF (Spanish)
Kairology and chronology in arrival and the fountain: existence, the other and the being yourself as (in)finite

Gilvan Charles Cerqueira de Araújo

1-23
- PDF (Portuguese (Brazil))
The three crimes of the camera-gun: crime of passion, serial murder and selficide

Michel de Oliveira

1-15
- PDF (Portuguese (Brazil))
Remote audiovisual editing: innovative, inclusive and multiuser technology

Elianne Ivo Barroso, Márcia Bessa, Maria Gabriela Capper, Carolina Rodrigues, Ivan Athanazio, Théo Brígida

1-20
- PDF (Portuguese (Brazil))

Dossier

Reflections on the melodramatic cultural matrix in anime

Thátilla Santos, Lara Satler

1-20
- PDF
- PDF (Portuguese (Brazil))
“No Brazil exists”: Conspiracist Atmospheres and Reactionary Worldview in Documentaries by Brasil Paralelo

Erick Felinto

1-13
- PDF
- PDF (Portuguese (Brazil))
Body and historical-social experience in the Brazilian cinema (2014-2021)

Edson Pereira da Costa Júnior

1-21
- PDF (Portuguese (Brazil))
- PDF
For a Genealogy of the Parties of the End of the World

Denilson Lopes

1-19
- PDF
- PDF (Portuguese (Brazil))
Film history, market and State in the work of Jean-Claude Bernardet

Arthur Autran

1-19
- PDF
- PDF (Portuguese (Brazil))

Traduções

Reading frontiers: on cinema and literature, by Manuel Puig

Natasha Romanzoti, Alfredo Luiz Paes de Oliveira Suppia

1-14
- PDF (Portuguese (Brazil))

Reviews

Contemporary cinema in the margins and the peripheric cosmopolitism

Iago Porfírio Porfírio

1-12
- PDF (Portuguese (Brazil))
The cinema of Rithy Panh: everything has a soul

Andrew I. Philip

1-9
- PDF (Portuguese (Brazil))
- PDF
The cinema of Carmelo Bene through the lenses of his cinematographer

Alexandre Wahrhaftig

1-10
- PDF (Portuguese (Brazil))
Political Action Through Image in the Palestinian-Israeli Conflict: Review of Screen Shots by Rebecca L. Stein

Vitoria Paschoal Baldin

1-6
- PDF (Portuguese (Brazil))

Entrevistas

Entrevista com Giuliana Bruno

Luiza Wollinger Delfino; Esther Império Hamburger, Cecilia Mello, Giuliana Bruno

1-31
- PDF (Portuguese (Brazil))
Entrevista com Glauber Rocha, por Agneša Kalinová para a Revista Film & doba (Cinema e Tempo) 1967

Agneša Kalinová; Luiza Wollinger Delfino

1-9
- PDF (Portuguese (Brazil))
Interview with Giuliana Bruno

Esther Império Hamburger, Cecília Mello, Giuliana Bruno

1-31
- PDF

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