Vol. 45 No. 49 (2018): Dossiê: Arte cinematográfica e contextos culturais

View Vol. 45 No. 49 (2018): Dossiê: Arte cinematográfica e contextos culturais

Número referente aos meses de janeiro a junho de 2018

Published: 2018-04-27

Full Issue

Presentation

  • Presentation

    Eduardo Victorio Morettin, Reinaldo Cardenuto Filho, Danielle Crepaldi Carvalho
    12-18
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.144283

Articles

  • Daily life and history in Brasília and Brasília, a day in February

    Tatiana Hora Alves de Lima
    185-200
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.137612

  • A sensitive aging in the short film Guida

    Ivania Skura, Aline Vaz
    201-213
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.138440

  • “I’m not a fan, but…”: readers and film audiences of Tolkien

    Maria Clara Sidou Monteiro, Dulce Helena Mazer, Sarah Moralejo da Costa
    214-230
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.138628

  • Dona Flor e seus dois maridos and the historical reception of criticismo

    Regina Gomes
    231-246
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.138138

Dossier

  • “Cinema as event”: stage and screen attractions at the cineteatro Santa Helena in São Paulo (1927)

    Luciana Corrêa de Araújo
    19-38
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.138589

  • Cinema, music and politics in The threepenny opera and Kuhle wampee

    Manoel Dourado Bastos
    39-55
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.138123

  • The national art in Painel (1950): between the present and the past

    Igor David dos Santos
    56-75
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.138642

  • Behind and beyond the cameras: initial propositions for the making-of field

    Patricia de Oliveira Iuva, Miriam de Souza Rossini
    76-95
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.138583

  • The forms of materiality: frame, scale and affect in Ramsay’s cinema

    Mariana Cunha
    96-112
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.137394

  • Blue desert: imaginary landscapes in Brazilian cinema

    India Mara Martins, Elianne Ivo Barroso
    113-130
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.138633

  • Surveillance and control in the work of Harun Farocki

    Jamer Guterres de Mello
    131-148
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.138357

  • Narrativity, corporality and realism of shock in Mooca, São Paulo and Um céu de estrelas

    Pedro Plaza Pinto
    149-166
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.138493

  • The reversal of the road movie in Campusano’s cinema

    Andrea C. Molfetta
    167-184
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.137969

Reviews

  • Style and its relevance for television studies in Latin America

    Mariana Almeida
    247-251
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.138569

Entrevistas

  • Interview with David Robinson

    Danielle Crepaldi Carvalho
    252-264
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2018.143079