Vol. 50 (2023)

View Vol. 50 (2023)
Published: 2023-04-24

Presentation

  • Apresentação

    Esther Hamburger, Cecília Mello
    1-3
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2022.210292

Articles

  • The names of Júlio Bressane: a play of senses in cinematic conversations

    Lennon Macedo, Bruno Leites
    1-17
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.214573

  • Two by Two, four:temporality, performance,and film essay inThe dreamed ones film

    Eduardo Ferraz Felippe
    1-19
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.194124

  • The epilogue of film censorship in Chile, 1988-2001

    Karen Esther Donoso Fritz, Jorge Iturriaga Echeverría
    1-18
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2022.196584

  • Kairology and chronology in arrival and the fountain: existence, the other and the being yourself as (in)finite

    Gilvan Charles Cerqueira de Araújo
    1-23
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.192847

  • The kitchen on TV: distinction and simulacrum in GNT culinary programs

    Nara Lya Cabral Scabin
    1-20
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.194099

  • Remote audiovisual editing: innovative, inclusive and multiuser technology

    Elianne Ivo Barroso, Márcia Bessa, Maria Gabriela Capper, Carolina Rodrigues, Ivan Athanazio, Théo Brígida
    1-20
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.214304

  • Targeting assemblages and assembling mirages in photo report: concentration camps in Folha de S.Paulo

    Daniel Macêdo
    1-20
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.203145

  • Disruptive masculinity landscapes: on the power of the queer mountain

    Daniel Oliveira Silva
    1-21
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.215311

  • Phasing between the audible and the visible sphere in contemporary cinema: disjunctions in films with voice over

    Luíza Beatriz A. M. Alvim
    1-21
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2022.193928

  • Seas and aquariums: Karim Aïnouz and the waters of displacement

    Lucas Soares de Souza, Sandra Fischer
    1-26
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.212899

  • For a genesis of latin america essay cinema

    Ana Paula de Aquino Caixeta, Laís de Lorenço Teixeira
    1-19
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.199573

  • The cyberpunk culture and queer derivations in Brazilian music videos

    André Filipe Cecília Malhado
    1-19
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.196661

  • Mythical realism in the western: Clint Eastwood’s Unforgiven

    Mauro Baptista, Guillermo Giucci
    1-20
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.207203

  • Cannes 1964: marco do engajamento dos críticos franceses ao Cinema Novo

    Belisa Figueiró
    1-19
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.194358

  • The three crimes of the camera-gun: crime of passion, serial murder and selficide

    Michel de Oliveira
    1-15
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.205514

Dossier

  • Body and historical-social experience in the Brazilian cinema (2014-2021)

    Edson Pereira da Costa Júnior
    1-21
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.212682

  • “No Brazil exists”: Conspiracist Atmospheres and Reactionary Worldview in Documentaries by Brasil Paralelo

    Erick Felinto
    1-13
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.208380

  • Film history, market and State in the work of Jean-Claude Bernardet

    Arthur Autran
    1-19
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.206251

  • For a Genealogy of the Parties of the End of the World

    Denilson Lopes
    1-19
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.208291

  • Reflections on the melodramatic cultural matrix in anime

    Thátilla Santos, Lara Satler
    1-20
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.209911

Traduções

  • Reading frontiers: on cinema and literature, by Manuel Puig

    Natasha Romanzoti, Alfredo Luiz Paes de Oliveira Suppia
    1-14
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.206471

Reviews

  • The cinema of Rithy Panh: everything has a soul

    Andrew I. Philip
    1-9
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2022.205374

  • Political Action Through Image in the Palestinian-Israeli Conflict: Review of Screen Shots by Rebecca L. Stein

    Vitoria Paschoal Baldin
    1-6
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.209435

  • The cinema of Carmelo Bene through the lenses of his cinematographer

    Alexandre Wahrhaftig
    1-10
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.200939

  • Contemporary cinema in the margins and the peripheric cosmopolitism

    Iago Porfírio Porfírio
    1-12
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2022.203112

Entrevistas

  • Entrevista com Giuliana Bruno

    Luiza Wollinger Delfino; Esther Império Hamburger, Cecilia Mello, Giuliana Bruno
    1-31
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.220218

  • Entrevista com Glauber Rocha, por Agneša Kalinová para a Revista Film & doba (Cinema e Tempo) 1967

    Agneša Kalinová; Luiza Wollinger Delfino
    1-9
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2022.205507

  • Interview with Giuliana Bruno

    Esther Império Hamburger, Cecília Mello, Giuliana Bruno
    1-31
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2023.219151