Cinema as a dialogic locus
Resignifications between All about my mother (1999) and All about Eve (1950)
DOI:
https://doi.org/10.11606/issn.1982-677X.rum.2019.148741Keywords:
Dialogism, film analysis, All about my mother, All about EveAbstract
In this study, we use the concept of dialogism, applied to the studies of film narratives (BAKHTIN, 2003; STAM, 1992), to verify the dialogical relations established by Pedro Almodóvar’s All about my mother (1999) with Joseph Mankiewicz’s All about Eve (1950). We understand that both movies follow different speeches that are socially localized and ideologically constructed, thus revealing the connections existing between fiction and society. Our interest lies, therefore, in the way such dialogue is built between the films and how it resignifies and recontextualizes themes and meanings – the representation of woman and femininity, for example –, laying bare the role of cinema as a producer of voices that are socially discordant, contradictory and representative of specific historical contexts and social positions.
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